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	<title>laplusjournal</title>
	<link>https://laplusjournal.com</link>
	<description>laplusjournal</description>
	<pubDate>Fri, 15 Dec 2023 01:48:02 +0000</pubDate>
	<generator>https://laplusjournal.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Splash Page</title>
				
		<link>https://laplusjournal.com/Splash-Page</link>

		<pubDate>Sun, 21 Jan 2018 15:05:26 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/Splash-Page</guid>

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	<item>
		<title>Issues</title>
				
		<link>https://laplusjournal.com/Issues</link>

		<pubDate>Sun, 13 Oct 2019 11:01:54 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

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&#60;img width="5100" height="1500" width_o="5100" height_o="1500" data-src="https://freight.cargo.site/t/original/i/721eee1c4a78d7159526c0313fb6eaf6f95812734f8da767e4679e0e021d701c/CELA_Banner_White.jpg" data-mid="172195753" border="0"  src="https://freight.cargo.site/w/1000/i/721eee1c4a78d7159526c0313fb6eaf6f95812734f8da767e4679e0e021d701c/CELA_Banner_White.jpg" /&#62;
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&#60;img width="6910" height="1500" width_o="6910" height_o="1500" data-src="https://freight.cargo.site/t/original/i/461843c318ca610a452775dd8bd13fef2d9c651f36c788a0b63ca3b27ca262cf/26_0525_LA-MEDIA_BANNER_Final.jpg" data-mid="248723065" border="0"  src="https://freight.cargo.site/w/1000/i/461843c318ca610a452775dd8bd13fef2d9c651f36c788a0b63ca3b27ca262cf/26_0525_LA-MEDIA_BANNER_Final.jpg" /&#62;


 
	
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01 WILD
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/8f752e17077a7bb37b43b36ab6b5e5fdda695f1f0f813ce8925343e9351f24eb/002_Plus_Pleasure.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/85f5676d865703de62f2a0889b9ce3dc759c60e5e5c8c4f58f91a2eecb8487af/002_CoverBack_Pleasure.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/8f752e17077a7bb37b43b36ab6b5e5fdda695f1f0f813ce8925343e9351f24eb/002_Plus_Pleasure.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
02 PLEASURE
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/622a1e1ec10120c9357816b49055fbe6619651fb9fcee91ef36de3297d04cc17/003_Plus_Tyranny.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/0eedc1bc5956ce7b94e8a7daef2d6209877ee8164afd82acf95165debefd1250/003_CoverBack_Tyranny.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/622a1e1ec10120c9357816b49055fbe6619651fb9fcee91ef36de3297d04cc17/003_Plus_Tyranny.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
03 TYRANNY



 
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/0510be436850bfaa46e61ab8d7cf1abf7caccdb7cc4f6a7eb38f4d95e5786512/004_Plus_Simulation.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/0e31e5efd0ef57004f7e82ba370174967d927656e8c30157d1df1ee72a8db55f/004_CoverBack_Simulation.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0510be436850bfaa46e61ab8d7cf1abf7caccdb7cc4f6a7eb38f4d95e5786512/004_Plus_Simulation.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
04 SIMULATION

	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/bb12bf3711fedd066848ebcdda5b46d94d98321ca103b8019a30999c3aa9e954/005_Plus_Identity.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/553f14dd9d3084a9a3f5dd75789c786b34a3f929c51b1a7394913709125c47b0/005_CoverBack_Identity.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/bb12bf3711fedd066848ebcdda5b46d94d98321ca103b8019a30999c3aa9e954/005_Plus_Identity.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
05 IDENTITY

	
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06 RISK



 
	
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07 IMAGINATION
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/cc58751bf80e97e43bbfe6842f125df023667ae3d7d1d67a0c17ad468a47ab78/008_Plus_Time.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/4f35f8c691227343c596974ce844446c15929dd79a138a7f38501a8a8f257730/008_CoverBack_Time.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/cc58751bf80e97e43bbfe6842f125df023667ae3d7d1d67a0c17ad468a47ab78/008_Plus_Time.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
08 TIME
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/b0ef62698001e52ad3ce2ee6d34551bf32c8df2f101ac749406d2417a7f271f8/009_Plus_Design.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/a4dbbc72af71ecb2ee6c3ebe724590251273b3ba03116ce423f6c2699171b404/009_CoverBack_Design.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/b0ef62698001e52ad3ce2ee6d34551bf32c8df2f101ac749406d2417a7f271f8/009_Plus_Design.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
09 DESIGN


 
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/db761ed9202040c0f8966705b7272301a7c3d7af8f57a65280d7468216d4bf25/010_Plus_Iconoclast.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/0bfcd7d8c103a29e9f5e7065edc50fee7ebe20a18de059c17021c37c14a5c06f/010_CoverBack_Iconoclast.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/db761ed9202040c0f8966705b7272301a7c3d7af8f57a65280d7468216d4bf25/010_Plus_Iconoclast.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
10 ICONOCLAST
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/24aeb283614e71fe737c1d4f36ba3535046cc73eeae8a0e291df7e7ae13c3487/011_Plus_Vitality.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/7d1e2e5cb53ece5aed20c371ead0bf7e2e04eb80312e682aa6971c546565fa78/VITALITY_COVERS.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/24aeb283614e71fe737c1d4f36ba3535046cc73eeae8a0e291df7e7ae13c3487/011_Plus_Vitality.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
11 VITALITY
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/607d1cbb98a4ac65e1201bb03ce41a4f667811d5914e99fabc1eab1df6df6274/012_Plus_Geo-01.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/8efb56267cc1e1401742cb6710402314c39801277472a859dae46e35ba5ab154/012_CoverBack_Geo.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/607d1cbb98a4ac65e1201bb03ce41a4f667811d5914e99fabc1eab1df6df6274/012_Plus_Geo-01.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
12 GEO



 
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/d5edab5c7b1bc628c062088fd81244d9b987d6b03caaf7b1cb359f014ddf4931/013_Plus_Community-01.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/ec5b76bff26f6e315fce30df4a43d6562ffa8c43df455f10ee1820a55465268d/Cover_COMMUNITY.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/d5edab5c7b1bc628c062088fd81244d9b987d6b03caaf7b1cb359f014ddf4931/013_Plus_Community-01.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
13 COMMUNITY


    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/b3a4d3945d553d83e094d46d127545c8f748adaa3c47cc30855472fe2efb525d/014_plus_creature.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/8fecbf00f3aec02721ee27302c141e588972292b363b91ef6d7d99aaefedd09e/014_CoverBack_Creature.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/b3a4d3945d553d83e094d46d127545c8f748adaa3c47cc30855472fe2efb525d/014_plus_creature.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
14 CREATURE


    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/b84fe7e1f97efc5872aeee8291be4b0521febad34a0ee63d5f44f2fea75660ed/IssuesPage_Plus_GREEN.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/4038c9ddd7c1765b972f649c3153e97dcd87f3c87f645a720e6cef69dcf87c7d/Covers_Website.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/b84fe7e1f97efc5872aeee8291be4b0521febad34a0ee63d5f44f2fea75660ed/IssuesPage_Plus_GREEN.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
 
15 GREEN 


 
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/97b50c2a10b0c58425d967ea1e89e6f93fcb433299e8d80427287fbbbca59a10/013_Plus_Speculation.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/21cda81ae78243ada4d79b71f8931af5c9c64a48c433aadb82d2b7532a8611db/001_CoverBack_Speculation-1.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/97b50c2a10b0c58425d967ea1e89e6f93fcb433299e8d80427287fbbbca59a10/013_Plus_Speculation.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
16 SPECULATION
	&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/8b314f9d4320d77de6037fa7f0e68efb3fc48bfc58b5a4e7376302cc0f7bc067/017_plus_interruption_014_plus_creature.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/06c37944e3297e173642e250ca73923938aa5bd9a5ffe4d78c46868b47a15166/001_CoverBack_Interruption.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/8b314f9d4320d77de6037fa7f0e68efb3fc48bfc58b5a4e7376302cc0f7bc067/017_plus_interruption_014_plus_creature.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
17 INTERRUPTION
	&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/6a3b44c3ffb65fae1864563fde0693a6d29767fd089de4f89dab1551103d71b0/20_Plus_Beauty.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/593f1e42d0c03e4df76cb31389ccb8aa1f8624791fbdc831b30984babeb10979/018_CoverBack_Beauty.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/6a3b44c3ffb65fae1864563fde0693a6d29767fd089de4f89dab1551103d71b0/20_Plus_Beauty.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
18 BEAUTY


 
	
    &#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/2a717a649642a9c40d1efb47a64065ce985e3e8cb8015436b305146cbc796b50/LA-_plus_botanic-01.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/4b4556ad527253b0cc065d5e7712f9e31feb29407e1e8af12754c2ccc9a1e151/019_CoverBack_Botanic.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/2a717a649642a9c40d1efb47a64065ce985e3e8cb8015436b305146cbc796b50/LA-_plus_botanic-01.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
19 BOTANIC
	


&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/2edfc3ebbdc8923b5c3d44cdf231667489a36631e0de472c60f764e2d9f6194b/LA-_plus_exotique.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/3c6d264a6579448934fb02741c963915b8e08141e0da09678fa2485ea52ff2a8/020_CoverBack_Exotique.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/2edfc3ebbdc8923b5c3d44cdf231667489a36631e0de472c60f764e2d9f6194b/LA-_plus_exotique.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
20 EXOTIQUE
	


&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/97cbcb3538d971c90055a95668741373ae42977cf8ad0935dc1c37d12d02ece9/21_Plus_Sense.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/d59b3465cf756f11c4a06f9065f0d278e2e1b0de44609764a2d7239cfdf24942/021_CoverBack_Sense.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/97cbcb3538d971c90055a95668741373ae42977cf8ad0935dc1c37d12d02ece9/21_Plus_Sense.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
21 SENSE

	

&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/f2f72f5a80c686eaad8c01dcfd0d9c37747f4ac25d2ede5dfce09c362ab2914a/22_Plus_Environment.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/e6e7137ec9ffd45fe4e315715c0f1e11a93d8e8a8a4cf84a3270d78238aed838/022_CoverBack_Environment.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/f2f72f5a80c686eaad8c01dcfd0d9c37747f4ac25d2ede5dfce09c362ab2914a/22_Plus_Environment.jpg'" border="0" alt="" style="width: 347.055px; height: 347.055px;"&#62;
22 ENVIRONMENT
	

&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/0ac0137b8807bcc2731a647f46d979c45a1b16e6b91eb5e1021a936fc38510dd/23_Media_Plus.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/406eef7521ddc3bbb43c7ee12ab025050134e071399ea77dac1238ec03ad6027/023_CoverBack_Media.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0ac0137b8807bcc2731a647f46d979c45a1b16e6b91eb5e1021a936fc38510dd/23_Media_Plus.jpg'" border="0" alt="" style="width: 347.055px; height: 347.055px;"&#62;
23 MEDIA
	

&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/4ea9f407c7a9ae09bdc42670b003d34983478548f69d1347142eba668dbffbb7/000_Plus_Grey.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/663a633f1dd3896cc87c32ddeb1f518a5a38a5cbe8743e92c1144947c653a821/000_Plus_Black.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/4ea9f407c7a9ae09bdc42670b003d34983478548f69d1347142eba668dbffbb7/000_Plus_Grey.jpg'" border="0" alt="" style="width: 347.055px; height: 347.055px;"&#62;
24 MEMORY



	



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25 UTOPIA

	



&#60;img width="100%" height="100%" src="https://freight.cargo.site/t/original/i/4ea9f407c7a9ae09bdc42670b003d34983478548f69d1347142eba668dbffbb7/000_Plus_Grey.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/663a633f1dd3896cc87c32ddeb1f518a5a38a5cbe8743e92c1144947c653a821/000_Plus_Black.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/4ea9f407c7a9ae09bdc42670b003d34983478548f69d1347142eba668dbffbb7/000_Plus_Grey.jpg'" border="0" alt="" style="width: 370.821px; height: 370.821px;"&#62;
26 CAPITAL
	
</description>
		
	</item>
		
		
	<item>
		<title>About</title>
				
		<link>https://laplusjournal.com/About</link>

		<pubDate>Sun, 21 Jan 2018 14:31:58 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/About</guid>

		<description>

	ABOUT
	






	LA+ (Landscape Architecture Plus) is an award-winning interdisciplinary journal founded in 2014 by Dr. Tatum L. Hands and Prof. Richard Weller and produced by the University of Pennsylvania Weitzman School of Design. LA+ explores landscape architecture's interdisciplinary potential, bringing readers a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually. Within our pages you hear not only from designers, but also from historians, artists, geographers, psychologists, ecologists, planners, scientists, philosophers, and many more. Our aim is to reveal connections and build collaborations between landscape architecture and other disciplines by exploring each issue’s theme from multiple perspectives. LA+ Journal is committed to content that promotes a global diversity of perspectives and cultures, and which encourages an expansive understanding of the field of landscape architecture and the role of landscape architects. 
LA+ is a high-quality, full-color journal available in print (published by ORO Editions) and digital formats. LA+ is available for purchase at design bookstores and museums around the world including MoMA in NYC, the Musée de Beaux-Artes in Montrèal, the Royal Institute of British Architects in London, and the National Building Museum in Washington DC. Each issue features an original theme sketch by celebrated landscape architect Laurie Olin.&#38;nbsp;



	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/95ac9fbe2cf114ecf659d4a53a0a25a8b60712701e4262978b5dc1220584784c/karen.jpg" data-mid="180610999" border="0"  src="https://freight.cargo.site/w/200/i/95ac9fbe2cf114ecf659d4a53a0a25a8b60712701e4262978b5dc1220584784c/karen.jpg" /&#62;



Editor in Chief

















Karen M’Closkey








	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/e719755c9783613a7ab2a159b7200f46a3f324673494f048b7b6a0da4d6a2338/catherine.png" data-mid="180610969" border="0"  src="https://freight.cargo.site/w/200/i/e719755c9783613a7ab2a159b7200f46a3f324673494f048b7b6a0da4d6a2338/catherine.png" /&#62;



Creative Director


















Catherine Seavitt









	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/b3f7271de97bd569f56f10da5439e2860064f6763cdc8c408ffa4e01ffde18a2/colin-1.jpg" data-mid="181277979" border="0"  src="https://freight.cargo.site/w/200/i/b3f7271de97bd569f56f10da5439e2860064f6763cdc8c408ffa4e01ffde18a2/colin-1.jpg" /&#62;



Art Director
Colin Curley

	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/60b82fba59d8ea1d79567c9da9975bc9a8048b8725034b4ce3d38930c9c3ae12/Ainsley_1.jpg" data-mid="229170065" border="0"  src="https://freight.cargo.site/w/200/i/60b82fba59d8ea1d79567c9da9975bc9a8048b8725034b4ce3d38930c9c3ae12/Ainsley_1.jpg" /&#62;




Editorial Assistant
Ainsley Rhodes















	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/cbb730ec1398c3963fa4ff5cce2f1c0148c4e5aa1730d3dc97566fd1f17198f3/Tatum.jpg" data-mid="11875617" border="0"  src="https://freight.cargo.site/w/200/i/cbb730ec1398c3963fa4ff5cce2f1c0148c4e5aa1730d3dc97566fd1f17198f3/Tatum.jpg" /&#62;
Founding Editor in Chief
Tatum L. Hands
	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/85d7b507d890e53be0d967a3e5ef157bd38d6d47503adaa2bcaad7924dbc5dbe/Richard.jpg" data-mid="11875620" border="0"  src="https://freight.cargo.site/w/200/i/85d7b507d890e53be0d967a3e5ef157bd38d6d47503adaa2bcaad7924dbc5dbe/Richard.jpg" /&#62;&#38;nbsp;Founding Creative Director
Richard Weller (1963-2025)
	


	
&#60;img width="640" height="640" width_o="640" height_o="640" data-src="https://freight.cargo.site/t/original/i/be4452890c7c06720c9865ebcf0335fd882f6d4548bacd498d1d364aa562d82c/Feb19_Bookspreads.jpg" data-mid="11878034" border="0"  src="https://freight.cargo.site/w/640/i/be4452890c7c06720c9865ebcf0335fd882f6d4548bacd498d1d364aa562d82c/Feb19_Bookspreads.jpg" /&#62;
&#60;img width="3024" height="3024" width_o="3024" height_o="3024" data-src="https://freight.cargo.site/t/original/i/211e555e1afe3de7af848fcfe12e9ef9732cd45b3150371878b7e9d32d39eefa/28275701_10159924614495099_1101038873_o.jpg" data-mid="11878092" border="0"  src="https://freight.cargo.site/w/1000/i/211e555e1afe3de7af848fcfe12e9ef9732cd45b3150371878b7e9d32d39eefa/28275701_10159924614495099_1101038873_o.jpg" /&#62;
&#60;img width="5327" height="3600" width_o="5327" height_o="3600" data-src="https://freight.cargo.site/t/original/i/e49063cc8966d624ff121ca0dc1e6ba849ec7f2f2775cc8192b9e55681c820cc/LA-Spines_Spring-2025_Final.jpg" data-mid="248724430" border="0"  src="https://freight.cargo.site/w/1000/i/e49063cc8966d624ff121ca0dc1e6ba849ec7f2f2775cc8192b9e55681c820cc/LA-Spines_Spring-2025_Final.jpg" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Call for Papers</title>
				
		<link>https://laplusjournal.com/Call-for-Papers</link>

		<pubDate>Sun, 25 Feb 2018 01:43:07 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/Call-for-Papers</guid>

		<description>

	CALL FOR PAPERS
	


	











&#60;img width="1033" height="1432" width_o="1033" height_o="1432" data-src="https://freight.cargo.site/t/original/i/de66c50586eee3828ff9d4ab1d163b29c176ddb398d3c881f953b20beed7a183/LA-_FIELD_CFP.jpg" data-mid="247608809" border="0"  src="https://freight.cargo.site/w/1000/i/de66c50586eee3828ff9d4ab1d163b29c176ddb398d3c881f953b20beed7a183/LA-_FIELD_CFP.jpg" /&#62;





	

















&#60;img width="2196" height="3409" width_o="2196" height_o="3409" data-src="https://freight.cargo.site/t/original/i/a7c99d2b15b6eb77ae2b53b0586f31fb2d79efb3362dc7f553422871a590f6ea/25_1028_CFP_Final-Poster.jpg" data-mid="239999600" border="0"  src="https://freight.cargo.site/w/1000/i/a7c99d2b15b6eb77ae2b53b0586f31fb2d79efb3362dc7f553422871a590f6ea/25_1028_CFP_Final-Poster.jpg" /&#62;






















	



















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/e520a63e946eb3dc66057b80813b79f8373baac94590e856764949a731676c2c/24_0402-UTOPIA_Drafts-Compiled-1-1.jpg" data-mid="229656041" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e520a63e946eb3dc66057b80813b79f8373baac94590e856764949a731676c2c/24_0402-UTOPIA_Drafts-Compiled-1-1.jpg" /&#62;

























	

27 LA+ FIELD
Poster design by Ainsley Rhodes










	















26 LA+ CAPITAL
Poster design by Ainsley Rhodes
































	





















25 LA+ UTOPIAPoster design by Ainsley Rhodes































	



















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/681a8a8ff8f1204453c79be10361d49a2653fb1fb7dd3ae4368fe684e10f30f8/24_0827_LA-MEMORY_DRAFT-02.jpg" data-mid="217087156" border="0"  src="https://freight.cargo.site/w/1000/i/681a8a8ff8f1204453c79be10361d49a2653fb1fb7dd3ae4368fe684e10f30f8/24_0827_LA-MEMORY_DRAFT-02.jpg" /&#62;
























	



















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/906da46a3a6d6f055ee32d5183e4e786b18d199bc8d6f3b9f9b0bf2133699328/24_0412_LA-MEDIA-01.png" data-mid="209020189" border="0"  src="https://freight.cargo.site/w/1000/i/906da46a3a6d6f055ee32d5183e4e786b18d199bc8d6f3b9f9b0bf2133699328/24_0412_LA-MEDIA-01.png" /&#62;





















	























&#60;img width="2354" height="3639" width_o="2354" height_o="3639" data-src="https://freight.cargo.site/t/original/i/33d3a8d517884521cbfb43ee6e97d1c62154cbbc97b73b7fd27a8fbc15c622c4/LA--ENVIRONMENT-poster-FINAL.jpg" data-mid="196330722" border="0"  src="https://freight.cargo.site/w/1000/i/33d3a8d517884521cbfb43ee6e97d1c62154cbbc97b73b7fd27a8fbc15c622c4/LA--ENVIRONMENT-poster-FINAL.jpg" /&#62;











































24 LA+ MEMORYPoster design by Andreina Sojo































	

































23 LA+ MEDIAPoster design by Andreina Sojo



























































22 LA+ ENVIRONMENTPoster design by Andreina Sojo
















































	



















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/084dc13b0a5e58606f4587cfba379fa5d2e261e3c61791f33a5bc6e5ae406a8b/LA--SENSE_brain_FINAL-01.jpg" data-mid="174618230" border="0"  src="https://freight.cargo.site/w/1000/i/084dc13b0a5e58606f4587cfba379fa5d2e261e3c61791f33a5bc6e5ae406a8b/LA--SENSE_brain_FINAL-01.jpg" /&#62;




























	









&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/dbe14f02c0f109ce3645f143f33cf36e9363d7cb677fc9e73e1b39ff07325a2b/LA--EXOTIQUE-poster_FINAL.jpg" data-mid="184820638" border="0"  src="https://freight.cargo.site/w/1000/i/dbe14f02c0f109ce3645f143f33cf36e9363d7cb677fc9e73e1b39ff07325a2b/LA--EXOTIQUE-poster_FINAL.jpg" /&#62;






































	























&#60;img width="3302" height="5100" width_o="3302" height_o="5100" data-src="https://freight.cargo.site/t/original/i/e011b1ff042feab48aa15418278fe472642127423d0c0674ee065e6a50e2748b/LA--BOTANIC-CFP_Poster.png" data-mid="139840185" border="0"  src="https://freight.cargo.site/w/1000/i/e011b1ff042feab48aa15418278fe472642127423d0c0674ee065e6a50e2748b/LA--BOTANIC-CFP_Poster.png" /&#62;





























	





















21 LA+ SENSEPoster design by Maura McDaniel
















































	























	


































20 LA+ EXOTIQUEPoster design by Andreina Sojo




















	





















19 LA+ BOTANICPoster design by Karen M’Closkey






	



















&#60;img width="3301" height="5101" width_o="3301" height_o="5101" data-src="https://freight.cargo.site/t/original/i/b3714056a52384e0c366ad34869f0f145082960dc92094e8718deb066381008f/BEAUTY-CFP-FINAL_RGB-01.jpg" data-mid="126103826" border="0"  src="https://freight.cargo.site/w/1000/i/b3714056a52384e0c366ad34869f0f145082960dc92094e8718deb066381008f/BEAUTY-CFP-FINAL_RGB-01.jpg" /&#62;
































	









&#60;img width="3301" height="5101" width_o="3301" height_o="5101" data-src="https://freight.cargo.site/t/original/i/851b0a9acaa734174519824a5217b95cadc6369aa4a80b1006bef3d85399f06a/INTERRUPTION_Poster_English.jpg" data-mid="127938571" border="0"  src="https://freight.cargo.site/w/1000/i/851b0a9acaa734174519824a5217b95cadc6369aa4a80b1006bef3d85399f06a/INTERRUPTION_Poster_English.jpg" /&#62;










































	



















&#60;img width="3301" height="5100" width_o="3301" height_o="5100" data-src="https://freight.cargo.site/t/original/i/af7b581c9419e228f0c959d5b040dba862f4895f50f3abce17090780daa8936f/SPEC_CFP-02.png" data-mid="91763525" border="0"  src="https://freight.cargo.site/w/1000/i/af7b581c9419e228f0c959d5b040dba862f4895f50f3abce17090780daa8936f/SPEC_CFP-02.png" /&#62;














































18 LA+ BEAUTYPoster design by Colin Curley









































































17 LA+ INTERRUPTIONPoster design by Madeleine Ghillany-Lehar





















































16 LA+ SPECULATIONPoster design by Christopher Marcinkoski, Javier Arpa Fernandez + Aaron Stone







































&#60;img width="3301" height="5100" width_o="3301" height_o="5100" data-src="https://freight.cargo.site/t/original/i/d6f4e15503877343f77b710d7acc829741fea0ad540335d21d991f3ba0ba7276/Green-CFP-01.jpg" data-mid="58106059" border="0"  src="https://freight.cargo.site/w/1000/i/d6f4e15503877343f77b710d7acc829741fea0ad540335d21d991f3ba0ba7276/Green-CFP-01.jpg" /&#62;










































	

















&#60;img width="1651" height="2551" width_o="1651" height_o="2551" data-src="https://freight.cargo.site/t/original/i/2b6ac964b9b8edb0322837569e2e0ea9afc0bfbd4326b5f882ac16a03cd5ff15/20_0705_CREATUREPOSTER-01.jpg" data-mid="77120828" border="0"  src="https://freight.cargo.site/w/1000/i/2b6ac964b9b8edb0322837569e2e0ea9afc0bfbd4326b5f882ac16a03cd5ff15/20_0705_CREATUREPOSTER-01.jpg" /&#62;










































	



















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/61a2fd9f5f7a1c25cb8d464a67e85b0b19e7edeaace5220b831804cac7ceffe5/CFP_COMMUNITY_SHEEP.jpg" data-mid="46477175" border="0"  src="https://freight.cargo.site/w/1000/i/61a2fd9f5f7a1c25cb8d464a67e85b0b19e7edeaace5220b831804cac7ceffe5/CFP_COMMUNITY_SHEEP.jpg" /&#62;














































15 LA+ GREENPoster design by Aaron Stone













































14 LA+ CREATURE Poster design by Aaron Stone













































13 LA+ COMMUNITY
Poster design by Aaron Stone















































&#60;img width="3433" height="5304" width_o="3433" height_o="5304" data-src="https://freight.cargo.site/t/original/i/01bb4e4531b7d8cb30ec18376e407cd2a577b0d3badf001d493d407483cd110a/LA--GEO-CFP_FINALJan27.jpg" data-mid="33949883" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/01bb4e4531b7d8cb30ec18376e407cd2a577b0d3badf001d493d407483cd110a/LA--GEO-CFP_FINALJan27.jpg" /&#62;




















	









&#60;img width="1275" height="1662" width_o="1275" height_o="1662" data-src="https://freight.cargo.site/t/original/i/66786b9c3425cf8c7050e625f144f4d5ca8523cc3ea7ebd6ff78659dc70a3162/Vitality_CFP_letter_Page_2.jpg" data-mid="33950172" border="0"  src="https://freight.cargo.site/w/1000/i/66786b9c3425cf8c7050e625f144f4d5ca8523cc3ea7ebd6ff78659dc70a3162/Vitality_CFP_letter_Page_2.jpg" /&#62;














































	

















&#60;img width="3300" height="4350" width_o="3300" height_o="4350" data-src="https://freight.cargo.site/t/original/i/56a605a6371585d43bbcf4d5433c7bd6f090e897850af1fddce5dad7e577ea2e/0507_LA--ICONOCLAST-COMPETITION-Poster.jpg" data-mid="16311686" border="0"  src="https://freight.cargo.site/w/1000/i/56a605a6371585d43bbcf4d5433c7bd6f090e897850af1fddce5dad7e577ea2e/0507_LA--ICONOCLAST-COMPETITION-Poster.jpg" /&#62;
























































12 LA+ GEO
Poster design by Karen M’Closkey



























































11 LA+ VITALITY
Poster design by Nikki Chang



















































10 LA+ ICONOCLAST
Poster design by Nikki Chang






















	









&#60;img width="400" height="555" width_o="400" height_o="555" data-src="https://freight.cargo.site/t/original/i/4f1960011cb2da61f64f9c132f7d1e3d64ff856380985c50a0a3f8d5e0b53e38/LA--DESIGN_CFP-SFW_400.jpg" data-mid="11876992" border="0" data-scale="97" src="https://freight.cargo.site/w/400/i/4f1960011cb2da61f64f9c132f7d1e3d64ff856380985c50a0a3f8d5e0b53e38/LA--DESIGN_CFP-SFW_400.jpg" /&#62;












    
	



















&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/bdc8c2035492496ad8695e4bf433e1fbf1d2b569537606f7c05f72df7fe54202/TIME_CFP_SFW.gif" data-mid="11876055" border="0" data-scale="100" src="https://freight.cargo.site/w/400/i/bdc8c2035492496ad8695e4bf433e1fbf1d2b569537606f7c05f72df7fe54202/TIME_CFP_SFW.gif" /&#62;




















	

















&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/f4649dcbe39d720c2ac701bc0a9b97c0b0111205cfbe5a73d85711ec73d70c9d/LA--IMAGINATION-PosterSFW_400.jpg" data-mid="11876051" border="0"  src="https://freight.cargo.site/w/400/i/f4649dcbe39d720c2ac701bc0a9b97c0b0111205cfbe5a73d85711ec73d70c9d/LA--IMAGINATION-PosterSFW_400.jpg" /&#62;



















	





















09 LA+ DESIGN
Poster design by Colin Curley






















	



















08 LA+ TIME
Poster design by Allison Koll




















	

















07 LA+ IMAGINATION
Poster design by Allison Koll + Prakul Reddy Pottapu




































&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/9c3efad970282a46bc9cbe53223ca6bfe234449648bbbb8e79dbfb848e760622/RISK_SFW_400.jpg" data-mid="11876053" border="0"  src="https://freight.cargo.site/w/400/i/9c3efad970282a46bc9cbe53223ca6bfe234449648bbbb8e79dbfb848e760622/RISK_SFW_400.jpg" /&#62;




















    
	













&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/6643e3e8bebc7424f609bb99d64d0829c656dd5a967bbc04eb8abaf4e2a9cffc/IDENTITY_SFW_400.jpg" data-mid="11876049" border="0"  src="https://freight.cargo.site/w/400/i/6643e3e8bebc7424f609bb99d64d0829c656dd5a967bbc04eb8abaf4e2a9cffc/IDENTITY_SFW_400.jpg" /&#62;






















	











&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/22b6563b8178531bb6bb800fe17b0838a31032453dd47780a26ea0c1649c0e59/Simulation_SFW_400.jpg" data-mid="11876054" border="0"  src="https://freight.cargo.site/w/400/i/22b6563b8178531bb6bb800fe17b0838a31032453dd47780a26ea0c1649c0e59/Simulation_SFW_400.jpg" /&#62;

















	















06 LA+ RISK
Poster design by Ellen Guanlee Xie












	









05 LA+ IDENTITY
Poster design by Allison Koll










	











04 LA+ SIMULATION
Poster design by Elise McCurley










	











&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/b629dbf7b7a1dd94d7b49de556f7dba1780b30e14962d964793bc8246e57c7c1/Tyranny_SFW_400.jpg" data-mid="11876056" border="0"  src="https://freight.cargo.site/w/400/i/b629dbf7b7a1dd94d7b49de556f7dba1780b30e14962d964793bc8246e57c7c1/Tyranny_SFW_400.jpg" /&#62;















 



&#38;nbsp;
	

&#60;img width="400" height="599" width_o="400" height_o="599" data-src="https://freight.cargo.site/t/original/i/29b8b00091fd76fd737d544fc6e3e7cbf3196832a58125825d89afa3c86a9044/Pleasure_SFW_400.jpg" data-mid="11876052" border="0" data-scale="82" src="https://freight.cargo.site/w/400/i/29b8b00091fd76fd737d544fc6e3e7cbf3196832a58125825d89afa3c86a9044/Pleasure_SFW_400.jpg" /&#62;


	

&#60;img width="400" height="600" width_o="400" height_o="600" data-src="https://freight.cargo.site/t/original/i/58639bec296b3d9ca7e1214da3f1a3ec74097b1bc4bc186b893d4868bf7fd3f1/Wild_SFW_400.jpg" data-mid="11876057" border="0" data-scale="83" src="https://freight.cargo.site/w/400/i/58639bec296b3d9ca7e1214da3f1a3ec74097b1bc4bc186b893d4868bf7fd3f1/Wild_SFW_400.jpg" /&#62;



	









03 LA+ TYRANNY
Poster design by Chieh Huang










	



02 LA+ PLEASURE
Poster design by Kate Rodgers








	

01 LA+ WILD
Poster design by Michael Shafir 
(Images courtesy Tom Hammond + Marcus Sümnic)


</description>
		
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		<title>LA+ EXOTIQUE</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE</link>

		<pubDate>Mon, 10 Apr 2023 15:39:58 +0000</pubDate>

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The LA+ EXOTIQUE design ideas
competition asks entrants to design the forecourt of the Museum of Natural
History in Paris. The museum was founded in 1793 during the French Revolution,
though the site had been used as a royal garden of medicinal plants since 1635.
The site is located on the left bank of the River Seine and sits within the Jardin des Plantes, which
are 28-hectare grounds that include exterior
gardens and a zoo (Ménagerie), with five galleries&#38;nbsp;in the museum precinct: Gallery of Evolution, Gallery of Mineralogy and
Geology, Gallery of Botany, Gallery of Paleontology and Comparative Anatomy,
and Large Greenhouses (Grandes Serres). All of these could be considered
inspiration for your design. The Museum is not just a collection of fossils, it
is an active research
institution studying the evolution of life on this planet, and its
occupants, both human and nonhuman.




Obviously, this location
provides rich thematic connections to questions of colonialism, taxonomy,
endemism, and exoticism. The degree to which your design relates to these
themes and the museum itself is at your discretion. Whether (and, if so, how)
the space is curated by the museum, or whether it functions autonomously as a
themed area within the broader context of the&#38;nbsp; Jardins des Plantes or
some combination thereof, is also at your discretion. Similarly, you will have
to decide upon the degree to which your design might include botanical
material, and how it relates to garden history more broadly. (Please note that
the Museum and the Jardin des Plantes are not formally associated with this
competition; however, for the hypothetical purposes of this competition,
entrants can assume that both institutions are willing partners.) 
In the tradition of past LA+ competitions entrants are encouraged to challenge
and extend the competition’s conceptual terms of reference and the way in which
ideas are represented. This openness is not, however, to be confused with
conceptual and spatial vagary: designs are expected to be legible and resolved
both conceptually and in terms of their spatial and material relationship to
the site. The drawings, images, and accompanying written statement must be
legible and accurate. While the competition emphasizes conceptual richness over
buildability, it is important to note that designs will be judged as real
proposals and therefore their degree of suitability for this specific location
will be considered. We hasten to add that Paris has a fine history of building
projects that challenge conservative conceptions of what may or may not be
considered “suitable.” While budget is not a consideration the form, function,
and materiality of entries will be of interest to the jury. 
Entry requires three sheets of images (which should conform to the competition template) and a 350-word
supporting text explaining the design concept. In addition, entrants are asked
to name their design and provide a 1–2 sentence abstract or “pitch” describing
the proposal.



SUGGESTED READINGS

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Ursula
Heise, Imagining Extinction (University of Chicago Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Irus
Braverman, Wild Life: The Institution of Nature (Stanford University
Press, 2015).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Elizabeth
Kolbert, The Sixth Extinction (Henry Holt &#38;amp; Co., 2014).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Emma Marris, The
Rambunctious Garden (Bloomsbury, 2013).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Patrick
Mauriès, Cabinets of Curiosities (Thames &#38;amp; Hudson, 2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Andrea
Wulf, The Invention of Nature: The Adventures of Alexander von Humboldt, the
Lost Hero of Science (John Murray, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Alice
Proctor, The Whole Picture: The colonial story of the art in our museums...
and why we need to talk about it (Cassell, 2020).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Daisy
Dixon, “Review: ‘The Whole Picture: The colonial story of the art in our
museums...and why we need to talk about it’” British Journal of Aesthetics
61, no. 3 (2021).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Louise
Wickham, Gardens in History: A Political Perspective. ( Windgather
Press, 2012).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
William
Taylor, (1998) “The
cultivation of reason: functionalism and the management of nature”, Studies
in the History of Gardens &#38;amp; Designed Landscapes 18, no. 2 (1998),
130–44.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Fred
Pearce, The New Wild (Beacon Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Richard
Weller, “Animals” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Sonja
Dümpelmann, “Plants” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Christopher
Marcinkoski, “Public” in Richard Weller &#38;amp; Tatum Hands (eds), The
Landscape Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Oshinsky,
Sara J. “Exoticism
in the Decorative Arts,” in Heilbrunn Timeline of Art History. (The
Metropolitan Museum of Art, 2004). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
“Exoticism,” The Art
and Popular Culture Encyclopedia.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
David
Carrier, “How Exotic can
Exotic Art Be?” in A World Art History and its Objects (Penn State
University Press, 2008).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Charles
Forsdick, “Defining
the Exotic: Exoticism as an Approach to Radical Diversity” in Victor
Segalen and the Aesthetics of Diversity: Journeys Between Cultures (Oxford
University Press, 2000). &#38;nbsp;  

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Zaheer
Baber, “The Plants of Empire: Botanic Gardens, Colonial Power and Botanical
Knowledge,” Journal of Contemporary Asia 46, no. 4 (2016). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Anna-Katharina
Laboissière, “Collect, Save, Adapt: Making and Unmaking Ex Situ Worlds,” Cultural Studies Review 25, no. 1 (2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Donald
Rakow &#38;amp; Sharon Less, “Western Botanical Gardens: History and Evolution,” Horticultural Reviews 43 (2015), ch. 5.


Got suggestions for other readings? Let us know.














*COMPETITION NOW CLOSED*


ENTRY PLATFORM OPENS

June 20, 2023

SUBMISSION DEADLINE
















October 30, 2023 at 11.59pm (US Eastern Time) 

WINNERS ANNOUNCEDDecember 15, 2023WINNERS + SELECTED ENTRIES PUBLISHED
















The LA+ EXOTIQUE issue will be published in Fall 2024.
AWARDS
















Total prize pool USD $10,000
&#60;img width="2511" height="1312" width_o="2511" height_o="1312" data-src="https://freight.cargo.site/t/original/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" data-mid="174923481" border="0"  src="https://freight.cargo.site/w/1000/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" /&#62;
SITE: Forecourt of the Museum national d’histoire naturelle in the Jardin des Plantes, Paris. Image: (c) Google Earth.&#38;nbsp;*Click here for more site views and to download the competition template.

4 WINNERSUSD $2,500 each, a certificate, and feature publication in LA+ EXOTIQUE

10 HONORABLE MENTIONS
Certificate, and feature publication in LA+ EXOTIQUE

1 EDITOR’S CHOICE AWARD
LA+ Journal’s Editor in Chief will choose one notable but unawarded entry to receive publication in the LA+ EXOTIQUE Salon
Des Refusés.



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		<title>LA+ EXOTIQUE About</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-About</link>

		<pubDate>Fri, 15 Dec 2023 01:48:02 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

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The LA+ EXOTIQUE design ideas
competition asks entrants to design the forecourt of the Museum of Natural
History in Paris. The museum was founded in 1793 during the French Revolution,
though the site had been used as a royal garden of medicinal plants since 1635.
The site is located on the left bank of the River Seine and sits within the Jardin des Plantes, which
are 28-hectare grounds that include exterior
gardens and a zoo (Ménagerie), with five galleries&#38;nbsp;in the museum precinct: Gallery of Evolution, Gallery of Mineralogy and
Geology, Gallery of Botany, Gallery of Paleontology and Comparative Anatomy,
and Large Greenhouses (Grandes Serres). All of these could be considered
inspiration for your design. The Museum is not just a collection of fossils, it
is an active research
institution studying the evolution of life on this planet, and its
occupants, both human and nonhuman.




Obviously, this location
provides rich thematic connections to questions of colonialism, taxonomy,
endemism, and exoticism. The degree to which your design relates to these
themes and the museum itself is at your discretion. Whether (and, if so, how)
the space is curated by the museum, or whether it functions autonomously as a
themed area within the broader context of the&#38;nbsp; Jardins des Plantes or
some combination thereof, is also at your discretion. Similarly, you will have
to decide upon the degree to which your design might include botanical
material, and how it relates to garden history more broadly. (Please note that
the Museum and the Jardin des Plantes are not formally associated with this
competition; however, for the hypothetical purposes of this competition,
entrants can assume that both institutions are willing partners.) 
In the tradition of past LA+ competitions entrants are encouraged to challenge
and extend the competition’s conceptual terms of reference and the way in which
ideas are represented. This openness is not, however, to be confused with
conceptual and spatial vagary: designs are expected to be legible and resolved
both conceptually and in terms of their spatial and material relationship to
the site. The drawings, images, and accompanying written statement must be
legible and accurate. While the competition emphasizes conceptual richness over
buildability, it is important to note that designs will be judged as real
proposals and therefore their degree of suitability for this specific location
will be considered. We hasten to add that Paris has a fine history of building
projects that challenge conservative conceptions of what may or may not be
considered “suitable.” While budget is not a consideration the form, function,
and materiality of entries will be of interest to the jury. 
Entry requires three sheets of images (which should conform to the competition template) and a 350-word
supporting text explaining the design concept. In addition, entrants are asked
to name their design and provide a 1–2 sentence abstract or “pitch” describing
the proposal.



SUGGESTED READINGS

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Ursula
Heise, Imagining Extinction (University of Chicago Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Irus
Braverman, Wild Life: The Institution of Nature (Stanford University
Press, 2015).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Elizabeth
Kolbert, The Sixth Extinction (Henry Holt &#38;amp; Co., 2014).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Emma Marris, The
Rambunctious Garden (Bloomsbury, 2013).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Patrick
Mauriès, Cabinets of Curiosities (Thames &#38;amp; Hudson, 2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Andrea
Wulf, The Invention of Nature: The Adventures of Alexander von Humboldt, the
Lost Hero of Science (John Murray, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Alice
Proctor, The Whole Picture: The colonial story of the art in our museums...
and why we need to talk about it (Cassell, 2020).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Daisy
Dixon, “Review: ‘The Whole Picture: The colonial story of the art in our
museums...and why we need to talk about it’” British Journal of Aesthetics
61, no. 3 (2021).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Louise
Wickham, Gardens in History: A Political Perspective. ( Windgather
Press, 2012).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
William
Taylor, (1998) “The
cultivation of reason: functionalism and the management of nature”, Studies
in the History of Gardens &#38;amp; Designed Landscapes 18, no. 2 (1998),
130–44.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Fred
Pearce, The New Wild (Beacon Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Richard
Weller, “Animals” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Sonja
Dümpelmann, “Plants” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Christopher
Marcinkoski, “Public” in Richard Weller &#38;amp; Tatum Hands (eds), The
Landscape Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Oshinsky,
Sara J. “Exoticism
in the Decorative Arts,” in Heilbrunn Timeline of Art History. (The
Metropolitan Museum of Art, 2004). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
“Exoticism,” The Art
and Popular Culture Encyclopedia.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
David
Carrier, “How Exotic can
Exotic Art Be?” in A World Art History and its Objects (Penn State
University Press, 2008).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Charles
Forsdick, “Defining
the Exotic: Exoticism as an Approach to Radical Diversity” in Victor
Segalen and the Aesthetics of Diversity: Journeys Between Cultures (Oxford
University Press, 2000). &#38;nbsp;  

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Zaheer
Baber, “The Plants of Empire: Botanic Gardens, Colonial Power and Botanical
Knowledge,” Journal of Contemporary Asia 46, no. 4 (2016). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Anna-Katharina
Laboissière, “Collect, Save, Adapt: Making and Unmaking Ex Situ Worlds,” Cultural Studies Review 25, no. 1 (2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Donald
Rakow &#38;amp; Sharon Less, “Western Botanical Gardens: History and Evolution,” Horticultural Reviews 43 (2015), ch. 5.


Got suggestions for other readings? Let us know.














*COMPETITION NOW CLOSED*


ENTRY PLATFORM OPENS

June 20, 2023

SUBMISSION DEADLINE
















October 30, 2023 at 11.59pm (US Eastern Time) 

WINNERS ANNOUNCEDDecember 15, 2023WINNERS + SELECTED ENTRIES PUBLISHED
















The LA+ EXOTIQUE issue will be published in Fall 2024.
AWARDS
















Total prize pool USD $10,000
&#60;img width="2511" height="1312" width_o="2511" height_o="1312" data-src="https://freight.cargo.site/t/original/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" data-mid="199475857" border="0"  src="https://freight.cargo.site/w/1000/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" /&#62;
SITE: Forecourt of the Museum national d’histoire naturelle in the Jardin des Plantes, Paris. Image: (c) Google Earth.&#38;nbsp;*Click here for more site views and to download the competition template.

4 WINNERSUSD $2,500 each, a certificate, and feature publication in LA+ EXOTIQUE

10 HONORABLE MENTIONS
Certificate, and feature publication in LA+ EXOTIQUE

1 EDITOR’S CHOICE AWARD
LA+ Journal’s Editor in Chief will choose one notable but unawarded entry to receive publication in the LA+ EXOTIQUE Salon
Des Refusés.



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&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/11fc75eb4328a6aff7b9c444f489c8fad41430f9cc5e9426131bb1a8a97371d8/exotique_buttons_9.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;" data-scale="100"&#62;







&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0e745b5f71c3686847a388c92c130b74e5e90dbcd551b36d73dc74d584fd443b/Post117.jpg" data-mid="199473185" border="0"  src="https://freight.cargo.site/w/1000/i/0e745b5f71c3686847a388c92c130b74e5e90dbcd551b36d73dc74d584fd443b/Post117.jpg" /&#62;Julia Czerniak is Professor of Architecture at Syracuse University where she teaches studios and seminars on architectural design and landscape theory and criticism. She served as Associate Dean from 2014-2022. She is educated both as an architect and a landscape architect and her research and practice draw on the intersection of these disciplines. Her most recent design research explores the relationship of design to biodiversity, advancing landscape as a protagonist in remaking and envisioning the complex relationships among animal species. Czerniak’s work as a designer is complemented by her work as an educator and writer. Her publications include the books: Case: Downsview Park Toronto (1999); Large Parks (2007); and Formerly Urban: Projecting Rust Belt Futures (2013).&#38;nbsp;







	&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3fb03b373506cc60c19a87d66c6b8da79dd15f7450384b8a60fdb33ec5afe0af/Post116.jpg" data-mid="199473192" border="0"  src="https://freight.cargo.site/w/1000/i/3fb03b373506cc60c19a87d66c6b8da79dd15f7450384b8a60fdb33ec5afe0af/Post116.jpg" /&#62;
	

Sonja Dümpelmann co-directs the Rachel Carson Center at Ludwig-Maximilians-Universität Munich where she is professor and chair in environmental humanities. She was previously a professor in the Department of Landscape Architecture, University of Pennsylvania Stuart Weitzman School of Design. Dümpelmann is a historian of urban landscapes and environments in the 19th and 20th centuries. Her most recent monographs are Landscapes for Sport: Histories of Physical Exercise, Sport, and Health (ed., Washington DC: Dumbarton Oaks Research Library and Collection, 2022), and the award-winning Seeing Trees: A History of Street Trees in New York City and Berlin (Yale University Press, 2019).

Photo by Eric Sucar.




	

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Catherine Mosbach is a landscape architect and founder of Paris-based design firm mosbach paysagistes and the magazine Pages Paysages. Catherine’s key projects include the Solutre Archaeological Park in Saone-et-Loire, Walk Sluice of Saint-Denis, the Botanical Garden of Bordeaux, the other side in Quebec City, Shan Shui at the International Horticultural Exposition in Xian, Lost in Transition Taehwa River Garden Show in Ulsan. She was the recipient of the Equerre D’argent award with Kazuyo Sejima and Ryue Nishizawa for the Louvre Lens Museum Park and was honored in the Iconic Concept Award category by the German Design Council and Platine Award by INT.design 15th Montreal for Phase Shifts Park in Taichung. The team was honored with Firm of the Year 2021 in Landscape and Urban Design by Architecture Master Prize Los Angeles.&#38;nbsp;

Catherine was named a Knight of the Legion of Honour by French President

 Francois Hollande in 2016. Her work, In the net of desires was featured in XXI Triennale de Milano 2017. Catherine is currently visiting professor at Harvard GSD.








	



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Signe Nielsen is principal of MNLA (Mathews Nielsen Landscape Architects) in New York and has been practicing as a landscape architect and urban designer since 1978. Her body of work has renewed the environmental integrity and transformed the quality of spaces for those who live, work, and play in the urban realm. Signe believes in using design as a vehicle for advocacy to promote discourse on social equity and community resilience and has served on multiple panels to effect positive change. A Fellow of the ASLA, she is the recipient of over 100 national and local design awards for public open space projects and is published extensively in national and international publications. Signe is a Professor of Urban Design and Landscape Architecture at Pratt Institute and former President for the Public Design Commission of the City of New York. Born in Paris, Signe holds degrees in Urban Planning from Smith College; in Landscape Architecture from City College of New York; and in Construction Management from Pratt Institute. MNLA’s recent award-winning landscape architecture projects in New York City include Little Island, Waterline Square Park, Governors Island, the Rockefeller University Campus, the Whitney Museum, the Edible Academy at the New York Botanical Garden, and the landscape of the iconic TWA Terminal Hotel at JFK.






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	Marcel Wilson is founder and design director of Bionic based in San Francisco, California. He is an agile and inventive designer, and is distinguished as a creative force in complex landscape projects through his broad expertise in landscape technology which ranges from large-scale infrastructure systems to micro-scale material applications. His experience includes waterfronts, infrastructure, and coastal adaptation, high-rise construction, landscapes on structure, and post-industrial sites. Under his leadership Bionic has risen to the cutting edge of the profession through significant commissions for LinkedIn, Adobe, and Google. At the city scale he is leading the design of large parks, waterfronts, and new urban districts in multiple West Coast cities. The firm has won multiple international design competitions including Fort Mason Center Public Realm, the Adobe Creek Bridge in Palo Alto, and the Resilient By Design Bay Area Challenge. Marcel graduated with distinction from the Harvard Graduate School of Design where he was awarded the prestigious Weidenman Prize for Design Excellence.



	

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&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/c9d240278381777a9083ec57077d43d90c3d1de4499c6c81ca83e99225d082ad/LA-EXOTIQUE_SITE_IMAGE-11.jpg" data-mid="199475695" border="0"  src="https://freight.cargo.site/w/565/i/c9d240278381777a9083ec57077d43d90c3d1de4499c6c81ca83e99225d082ad/LA-EXOTIQUE_SITE_IMAGE-11.jpg" /&#62;



	&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/c743cbb68c91910b09b577383b699953c3c56607c6e7cfb464361be984ac8787/LA-EXOTIQUE_SITE_IMAGE-12.jpg" data-mid="199475696" border="0"  src="https://freight.cargo.site/w/565/i/c743cbb68c91910b09b577383b699953c3c56607c6e7cfb464361be984ac8787/LA-EXOTIQUE_SITE_IMAGE-12.jpg" /&#62;

	
	

Click on a circle to open the full image in a new window. 
Download site plan, images, and competition template HERE.&#38;nbsp;


	

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		<title>LA+ EXOTIQUE Submissions</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-Submissions</link>

		<pubDate>Fri, 15 Dec 2023 01:43:15 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/LA-EXOTIQUE-Submissions</guid>

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&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/11fc75eb4328a6aff7b9c444f489c8fad41430f9cc5e9426131bb1a8a97371d8/exotique_buttons_9.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;" data-scale="100"&#62;







	Submissions must conform to the page dimensions and instructions provided in the LA+ EXOTIQUE competition template, which is designed to assist journal layout for entries selected for publication. The competition template is available for download in .pdf, .indd, and .idml formats HERE. &#38;nbsp;DO NOT include the supporting statement on the image sheets – this will be inputted separately into the competition platform.


	IMAGE REQUIREMENTS



SHEET 1 (8.75 x 10.5 inches) Concept Image or view [portrait orientation].



SHEET 2 (17.5 x 10.5 inches) A scaled plan and section [landscape orientation].



SHEET 3 (17.5 x 10.5 inches) 
Supporting imagery,
the content and layout of which is at entrants’ discretion [landscape orientation]. 





*DOWNLOAD Competition Template and site images here.&#38;nbsp; * See Q+A for important notes about template and arrangement of submission elements.&#38;nbsp;

	TEXT REQUIREMENTS

These text requirements are to be inputted into the competition platform at the time of submission.






















Name of your design [e.g., The Garden of Strange Objects].
Maximum 350-word text explaining your design.
1–2 sentence abstract or “pitch” concisely describing your proposal [e.g., The Garden of Strange Objects is a grid of 1.5-meter-tall concrete blocks evenly distributed across the site serving as pedestals to support ephemeral artworks by artists from former French colonies.]&#38;nbsp;
*IMPORTANT: Do not put the supporting statement on the design image sheets. You will be asked to input the text requirements online during the submission process.



HOW TO ENTER

1. READ THE CONDITIONS OF ENTRY


2. DOWNLOAD THE COMPETITION TEMPLATE AND SITE IMAGES

3. SUBMIT YOUR ENTRY
NOTE: 
















Submissions must be made
through the competition platform at https://laplus.slideroom.com/. You'll be asked
to sign up for a free SlideRoom account to get started. You can begin your submission when you choose and complete it at
any time before midnight on October 30, 2023. You'll have a chance to review your materials
before final submission and payment of the competition entry fee is the last step
before you submit. You'll receive official confirmation of your entry and
receipt for payment upon submission. At the time of submitting your entry,
you’ll be asked to agree to the conditions of entry. All submissions will receive a unique code to redeem a free digital issue of LA+ CREATURE. Good luck!






Submission deadline: October 30, 2023 at 11.59pm (US Eastern time). 




	

GOT QUESTIONS? NEED ANSWERS? CLICK HERE TO GO TO Q+A



	



	




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		<title>LA+ EXOTIQUE Conditions</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-Conditions</link>

		<pubDate>Fri, 15 Dec 2023 01:43:24 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/LA-EXOTIQUE-Conditions</guid>

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The specific conditions below and the entire competition website constitute the Conditions of Entry.








ELIGIBILITY + ANONYMITY

LA+ EXOTIQUE is an international design ideas competition open to students and professionals of any discipline. 
There are no professional qualification requirements for entry.
Entries may be made by individuals and teams of up to three (3) people. Three is the maximum number of members permitted in a team.
Employees of LA+ Journal or ORO Editions, LA+ EXOTIQUE team members, jurors, and their spouses/partners are not eligible to enter.
Faculty, students, and employees from jurors’ organizations are eligible to enter, subject to the below conditions of anonymity and juror recusal.&#38;nbsp;
Entries will be judged anonymously. There must be no identifying information (that is, information that identifies individuals, organizations, schools, groups, or firms associated with the entry) on the images, in the image file names, or in the accompanying statement or text. Non-conforming entries will be disqualified.
Jurors are required immediately to advise the competition organizer and recuse themselves from voting on a particular submission in the event that they believe they recognize the identity of an entrant from the submission. &#38;nbsp;
Any entrant who violates these rules and any non-conforming entries will be disqualified.


SUBMISSIONS + USE OF SUBMITTED MATERIALS



















Submissions will only be accepted from eligible
entrants who have paid the USD $50 entry fee and submitted digitally through
the competition
platform by the competition close date (midnight US
Eastern Time on October 30, 2023). 



 
Submissions must conform to page/sheet dimensions found on the LA+ EXOTIQUE&#38;nbsp;competition template and the instructions shown at registration and on this website. Non-conforming submissions will be disqualified. 
Please note that only .jpeg, .jpg, .tif, .tiff image files are accepted. Files must be under 10MB each and should have a minimum resolution of 300ppi. 
No physical/mailed submissions will be accepted. 

Submitted materials shall not be released nor exposed to the public, press, or other media (including social media) before the announcement of the winning entries.  Entrants who violate this condition will be disqualified. Process images that do not reveal the design are acceptable. Please tag @laplusjournal.
No information contained in submissions shall be deemed confidential; therefore, please do not submit any information that may be considered proprietary in nature. 

LA+ Journal and its sponsors or affiliates shall not be liable for any costs incurred by any entrant in the preparation of a submission.

By entering LA+ EXOTIQUE you warrant that your submission does not include any images or text infringing on a third-party copyright, trademark, or other intellectual property right.

By entering LA+ EXOTIQUE you grant LA+ Journal a free license to use, publish, distribute, and make derivatives of the submitted materials, in whole or in part, in connection with judging, promotion, review, publication, and exhibition of the competition and of LA+ Journal, and for archival and other purposes, in any format including print, digital, and online. 
LA+ Journal has complete discretion over how submitted materials (including images, derivatives of images, supporting texts, and fonts) are adapted or used in any publication, exhibition, or promotion. LA+ Journal may crop, alter, adapt, or reformat images, replace fonts, and edit or change text to conform with overall aesthetic, style, and with other layout and editorial considerations of any publication or exhibition, and for promotional or review purposes, without notice to the entrant.

LA+ Journal may request design files from awarded entrants for the purpose of making font changes, formatting changes, text corrections, image resizing, or other necessary changes required for publication.
GENERAL


In the case of disqualification, entrants will NOT be notified and entry fees will NOT be refunded. 

Jury processes and deliberations are private and the decisions of the jury process are final. 

An entry fee of USD $50 is payable at the time of submission. Major credit and debit cards are accepted. 

The information on this website and on the submissions platform forms part of these Conditions of Entry. You must accept the Conditions of Entry to enter the competition. 

The competition organizers reserve the right to amend this website at any time, without notice.









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