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	<title>laplusjournal</title>
	<link>https://laplusjournal.com</link>
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	<pubDate>Fri, 15 Dec 2023 01:48:02 +0000</pubDate>
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		<title>Splash Page</title>
				
		<link>https://laplusjournal.com/Splash-Page</link>

		<pubDate>Sun, 21 Jan 2018 15:05:26 +0000</pubDate>

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		<title>About</title>
				
		<link>https://laplusjournal.com/About</link>

		<pubDate>Sun, 21 Jan 2018 14:31:58 +0000</pubDate>

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	ABOUT
	






	LA+ (Landscape Architecture Plus) is an award-winning interdisciplinary journal founded in 2014 by Dr. Tatum L. Hands and Prof. Richard Weller and produced by the University of Pennsylvania Weitzman School of Design. LA+ explores landscape architecture's interdisciplinary potential, bringing readers a rich collection of contemporary thinkers and designers in two lavishly illustrated issues annually. Within our pages you hear not only from designers, but also from historians, artists, geographers, psychologists, ecologists, planners, scientists, philosophers, and many more. Our aim is to reveal connections and build collaborations between landscape architecture and other disciplines by exploring each issue’s theme from multiple perspectives. LA+ Journal is committed to content that promotes a global diversity of perspectives and cultures, and which encourages an expansive understanding of the field of landscape architecture and the role of landscape architects. 
LA+ is a high-quality, full-color journal available in print (published by ORO Editions) and digital formats. LA+ is available for purchase at design bookstores and museums around the world including MoMA in NYC, the Musée de Beaux-Artes in Montrèal, the Royal Institute of British Architects in London, and the National Building Museum in Washington DC. Each issue features an original theme sketch by celebrated landscape architect Laurie Olin.&#38;nbsp;



	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/95ac9fbe2cf114ecf659d4a53a0a25a8b60712701e4262978b5dc1220584784c/karen.jpg" data-mid="180610999" border="0"  src="https://freight.cargo.site/w/200/i/95ac9fbe2cf114ecf659d4a53a0a25a8b60712701e4262978b5dc1220584784c/karen.jpg" /&#62;



Editor in Chief

















Karen M’Closkey








	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/e719755c9783613a7ab2a159b7200f46a3f324673494f048b7b6a0da4d6a2338/catherine.png" data-mid="180610969" border="0"  src="https://freight.cargo.site/w/200/i/e719755c9783613a7ab2a159b7200f46a3f324673494f048b7b6a0da4d6a2338/catherine.png" /&#62;



Creative Director


















Catherine Seavitt









	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/b3f7271de97bd569f56f10da5439e2860064f6763cdc8c408ffa4e01ffde18a2/colin-1.jpg" data-mid="181277979" border="0"  src="https://freight.cargo.site/w/200/i/b3f7271de97bd569f56f10da5439e2860064f6763cdc8c408ffa4e01ffde18a2/colin-1.jpg" /&#62;



Art Director
Colin Curley

	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/60b82fba59d8ea1d79567c9da9975bc9a8048b8725034b4ce3d38930c9c3ae12/Ainsley_1.jpg" data-mid="229170065" border="0"  src="https://freight.cargo.site/w/200/i/60b82fba59d8ea1d79567c9da9975bc9a8048b8725034b4ce3d38930c9c3ae12/Ainsley_1.jpg" /&#62;




Editorial Assistant
Ainsley Rhodes















	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/cbb730ec1398c3963fa4ff5cce2f1c0148c4e5aa1730d3dc97566fd1f17198f3/Tatum.jpg" data-mid="11875617" border="0"  src="https://freight.cargo.site/w/200/i/cbb730ec1398c3963fa4ff5cce2f1c0148c4e5aa1730d3dc97566fd1f17198f3/Tatum.jpg" /&#62;
Founding Editor in Chief
Tatum L. Hands
	&#60;img width="200" height="200" width_o="200" height_o="200" data-src="https://freight.cargo.site/t/original/i/85d7b507d890e53be0d967a3e5ef157bd38d6d47503adaa2bcaad7924dbc5dbe/Richard.jpg" data-mid="11875620" border="0"  src="https://freight.cargo.site/w/200/i/85d7b507d890e53be0d967a3e5ef157bd38d6d47503adaa2bcaad7924dbc5dbe/Richard.jpg" /&#62;&#38;nbsp;Founding Creative Director
Richard Weller (1963-2025)
	


	
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		<title>Call for Papers</title>
				
		<link>https://laplusjournal.com/Call-for-Papers</link>

		<pubDate>Sun, 25 Feb 2018 01:43:07 +0000</pubDate>

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	CALL FOR PAPERS
	


	











&#60;img width="2196" height="3409" width_o="2196" height_o="3409" data-src="https://freight.cargo.site/t/original/i/a7c99d2b15b6eb77ae2b53b0586f31fb2d79efb3362dc7f553422871a590f6ea/25_1028_CFP_Final-Poster.jpg" data-mid="239999600" border="0"  src="https://freight.cargo.site/w/1000/i/a7c99d2b15b6eb77ae2b53b0586f31fb2d79efb3362dc7f553422871a590f6ea/25_1028_CFP_Final-Poster.jpg" /&#62;





	















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/e520a63e946eb3dc66057b80813b79f8373baac94590e856764949a731676c2c/24_0402-UTOPIA_Drafts-Compiled-1-1.jpg" data-mid="229656041" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e520a63e946eb3dc66057b80813b79f8373baac94590e856764949a731676c2c/24_0402-UTOPIA_Drafts-Compiled-1-1.jpg" /&#62;




















	

















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/681a8a8ff8f1204453c79be10361d49a2653fb1fb7dd3ae4368fe684e10f30f8/24_0827_LA-MEMORY_DRAFT-02.jpg" data-mid="217087156" border="0"  src="https://freight.cargo.site/w/1000/i/681a8a8ff8f1204453c79be10361d49a2653fb1fb7dd3ae4368fe684e10f30f8/24_0827_LA-MEMORY_DRAFT-02.jpg" /&#62;























	

26 LA+ CAPITAL
Poster design by Ainsley Rhodes










	













25 LA+ UTOPIA
Poster design by Ainsley Rhodes






























	



















24 LA+ MEMORYPoster design by Andreina Sojo





























	

















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/906da46a3a6d6f055ee32d5183e4e786b18d199bc8d6f3b9f9b0bf2133699328/24_0412_LA-MEDIA-01.png" data-mid="209020189" border="0"  src="https://freight.cargo.site/w/1000/i/906da46a3a6d6f055ee32d5183e4e786b18d199bc8d6f3b9f9b0bf2133699328/24_0412_LA-MEDIA-01.png" /&#62;






















	

















&#60;img width="2354" height="3639" width_o="2354" height_o="3639" data-src="https://freight.cargo.site/t/original/i/33d3a8d517884521cbfb43ee6e97d1c62154cbbc97b73b7fd27a8fbc15c622c4/LA--ENVIRONMENT-poster-FINAL.jpg" data-mid="196330722" border="0"  src="https://freight.cargo.site/w/1000/i/33d3a8d517884521cbfb43ee6e97d1c62154cbbc97b73b7fd27a8fbc15c622c4/LA--ENVIRONMENT-poster-FINAL.jpg" /&#62;



















	





















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/084dc13b0a5e58606f4587cfba379fa5d2e261e3c61791f33a5bc6e5ae406a8b/LA--SENSE_brain_FINAL-01.jpg" data-mid="174618230" border="0"  src="https://freight.cargo.site/w/1000/i/084dc13b0a5e58606f4587cfba379fa5d2e261e3c61791f33a5bc6e5ae406a8b/LA--SENSE_brain_FINAL-01.jpg" /&#62;







































23 LA+ MEDIAPoster design by Andreina Sojo





























	































22 LA+ ENVIRONMENTPoster design by Andreina Sojo























































21 LA+ SENSEPoster design by Maura McDaniel














































	

















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/dbe14f02c0f109ce3645f143f33cf36e9363d7cb677fc9e73e1b39ff07325a2b/LA--EXOTIQUE-poster_FINAL.jpg" data-mid="184820638" border="0"  src="https://freight.cargo.site/w/1000/i/dbe14f02c0f109ce3645f143f33cf36e9363d7cb677fc9e73e1b39ff07325a2b/LA--EXOTIQUE-poster_FINAL.jpg" /&#62;


























	







&#60;img width="3302" height="5100" width_o="3302" height_o="5100" data-src="https://freight.cargo.site/t/original/i/e011b1ff042feab48aa15418278fe472642127423d0c0674ee065e6a50e2748b/LA--BOTANIC-CFP_Poster.png" data-mid="139840185" border="0"  src="https://freight.cargo.site/w/1000/i/e011b1ff042feab48aa15418278fe472642127423d0c0674ee065e6a50e2748b/LA--BOTANIC-CFP_Poster.png" /&#62;




































	





















&#60;img width="3301" height="5101" width_o="3301" height_o="5101" data-src="https://freight.cargo.site/t/original/i/b3714056a52384e0c366ad34869f0f145082960dc92094e8718deb066381008f/BEAUTY-CFP-FINAL_RGB-01.jpg" data-mid="126103826" border="0"  src="https://freight.cargo.site/w/1000/i/b3714056a52384e0c366ad34869f0f145082960dc92094e8718deb066381008f/BEAUTY-CFP-FINAL_RGB-01.jpg" /&#62;



























	



















20 LA+ EXOTIQUEPoster design by Andreina Sojo














































	























	
































19 LA+ BOTANICPoster design by Karen M’Closkey


















	



















18 LA+ BEAUTYPoster design by Colin Curley




	

















&#60;img width="3301" height="5101" width_o="3301" height_o="5101" data-src="https://freight.cargo.site/t/original/i/851b0a9acaa734174519824a5217b95cadc6369aa4a80b1006bef3d85399f06a/INTERRUPTION_Poster_English.jpg" data-mid="127938571" border="0"  src="https://freight.cargo.site/w/1000/i/851b0a9acaa734174519824a5217b95cadc6369aa4a80b1006bef3d85399f06a/INTERRUPTION_Poster_English.jpg" /&#62;






























	







&#60;img width="3301" height="5100" width_o="3301" height_o="5100" data-src="https://freight.cargo.site/t/original/i/af7b581c9419e228f0c959d5b040dba862f4895f50f3abce17090780daa8936f/SPEC_CFP-02.png" data-mid="91763525" border="0"  src="https://freight.cargo.site/w/1000/i/af7b581c9419e228f0c959d5b040dba862f4895f50f3abce17090780daa8936f/SPEC_CFP-02.png" /&#62;








































	

















&#60;img width="3301" height="5100" width_o="3301" height_o="5100" data-src="https://freight.cargo.site/t/original/i/d6f4e15503877343f77b710d7acc829741fea0ad540335d21d991f3ba0ba7276/Green-CFP-01.jpg" data-mid="58106059" border="0"  src="https://freight.cargo.site/w/1000/i/d6f4e15503877343f77b710d7acc829741fea0ad540335d21d991f3ba0ba7276/Green-CFP-01.jpg" /&#62;










































17 LA+ INTERRUPTIONPoster design by Madeleine Ghillany-Lehar





































































16 LA+ SPECULATIONPoster design by Christopher Marcinkoski, Javier Arpa Fernandez + Aaron Stone

















































15 LA+ GREENPoster design by Aaron Stone



































&#60;img width="1651" height="2551" width_o="1651" height_o="2551" data-src="https://freight.cargo.site/t/original/i/2b6ac964b9b8edb0322837569e2e0ea9afc0bfbd4326b5f882ac16a03cd5ff15/20_0705_CREATUREPOSTER-01.jpg" data-mid="77120828" border="0"  src="https://freight.cargo.site/w/1000/i/2b6ac964b9b8edb0322837569e2e0ea9afc0bfbd4326b5f882ac16a03cd5ff15/20_0705_CREATUREPOSTER-01.jpg" /&#62;








































	















&#60;img width="3300" height="5100" width_o="3300" height_o="5100" data-src="https://freight.cargo.site/t/original/i/61a2fd9f5f7a1c25cb8d464a67e85b0b19e7edeaace5220b831804cac7ceffe5/CFP_COMMUNITY_SHEEP.jpg" data-mid="46477175" border="0"  src="https://freight.cargo.site/w/1000/i/61a2fd9f5f7a1c25cb8d464a67e85b0b19e7edeaace5220b831804cac7ceffe5/CFP_COMMUNITY_SHEEP.jpg" /&#62;








































	

















&#60;img width="3433" height="5304" width_o="3433" height_o="5304" data-src="https://freight.cargo.site/t/original/i/01bb4e4531b7d8cb30ec18376e407cd2a577b0d3badf001d493d407483cd110a/LA--GEO-CFP_FINALJan27.jpg" data-mid="33949883" border="0" data-scale="88" src="https://freight.cargo.site/w/1000/i/01bb4e4531b7d8cb30ec18376e407cd2a577b0d3badf001d493d407483cd110a/LA--GEO-CFP_FINALJan27.jpg" /&#62;










































14 LA+ CREATURE Poster design by Aaron Stone









































13 LA+ COMMUNITY
Poster design by Aaron Stone









































12 LA+ GEO
Poster design by Karen M’Closkey











































&#60;img width="1275" height="1662" width_o="1275" height_o="1662" data-src="https://freight.cargo.site/t/original/i/66786b9c3425cf8c7050e625f144f4d5ca8523cc3ea7ebd6ff78659dc70a3162/Vitality_CFP_letter_Page_2.jpg" data-mid="33950172" border="0"  src="https://freight.cargo.site/w/1000/i/66786b9c3425cf8c7050e625f144f4d5ca8523cc3ea7ebd6ff78659dc70a3162/Vitality_CFP_letter_Page_2.jpg" /&#62;


















	







&#60;img width="3300" height="4350" width_o="3300" height_o="4350" data-src="https://freight.cargo.site/t/original/i/56a605a6371585d43bbcf4d5433c7bd6f090e897850af1fddce5dad7e577ea2e/0507_LA--ICONOCLAST-COMPETITION-Poster.jpg" data-mid="16311686" border="0"  src="https://freight.cargo.site/w/1000/i/56a605a6371585d43bbcf4d5433c7bd6f090e897850af1fddce5dad7e577ea2e/0507_LA--ICONOCLAST-COMPETITION-Poster.jpg" /&#62;












































	















&#60;img width="400" height="555" width_o="400" height_o="555" data-src="https://freight.cargo.site/t/original/i/4f1960011cb2da61f64f9c132f7d1e3d64ff856380985c50a0a3f8d5e0b53e38/LA--DESIGN_CFP-SFW_400.jpg" data-mid="11876992" border="0" data-scale="97" src="https://freight.cargo.site/w/400/i/4f1960011cb2da61f64f9c132f7d1e3d64ff856380985c50a0a3f8d5e0b53e38/LA--DESIGN_CFP-SFW_400.jpg" /&#62;




















































11 LA+ VITALITY
Poster design by Nikki Chang























































10 LA+ ICONOCLAST
Poster design by Nikki Chang















































09 LA+ DESIGN
Poster design by Colin Curley




















	







&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/bdc8c2035492496ad8695e4bf433e1fbf1d2b569537606f7c05f72df7fe54202/TIME_CFP_SFW.gif" data-mid="11876055" border="0" data-scale="100" src="https://freight.cargo.site/w/400/i/bdc8c2035492496ad8695e4bf433e1fbf1d2b569537606f7c05f72df7fe54202/TIME_CFP_SFW.gif" /&#62;










    
	

















&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/f4649dcbe39d720c2ac701bc0a9b97c0b0111205cfbe5a73d85711ec73d70c9d/LA--IMAGINATION-PosterSFW_400.jpg" data-mid="11876051" border="0"  src="https://freight.cargo.site/w/400/i/f4649dcbe39d720c2ac701bc0a9b97c0b0111205cfbe5a73d85711ec73d70c9d/LA--IMAGINATION-PosterSFW_400.jpg" /&#62;


















	















&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/9c3efad970282a46bc9cbe53223ca6bfe234449648bbbb8e79dbfb848e760622/RISK_SFW_400.jpg" data-mid="11876053" border="0"  src="https://freight.cargo.site/w/400/i/9c3efad970282a46bc9cbe53223ca6bfe234449648bbbb8e79dbfb848e760622/RISK_SFW_400.jpg" /&#62;

















	



















08 LA+ TIME
Poster design by Allison Koll




















	

















07 LA+ IMAGINATION
Poster design by Allison Koll + Prakul Reddy Pottapu


















	















06 LA+ RISK
Poster design by Ellen Guanlee Xie
































&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/6643e3e8bebc7424f609bb99d64d0829c656dd5a967bbc04eb8abaf4e2a9cffc/IDENTITY_SFW_400.jpg" data-mid="11876049" border="0"  src="https://freight.cargo.site/w/400/i/6643e3e8bebc7424f609bb99d64d0829c656dd5a967bbc04eb8abaf4e2a9cffc/IDENTITY_SFW_400.jpg" /&#62;


















    
	











&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/22b6563b8178531bb6bb800fe17b0838a31032453dd47780a26ea0c1649c0e59/Simulation_SFW_400.jpg" data-mid="11876054" border="0"  src="https://freight.cargo.site/w/400/i/22b6563b8178531bb6bb800fe17b0838a31032453dd47780a26ea0c1649c0e59/Simulation_SFW_400.jpg" /&#62;




















	









&#60;img width="400" height="518" width_o="400" height_o="518" data-src="https://freight.cargo.site/t/original/i/b629dbf7b7a1dd94d7b49de556f7dba1780b30e14962d964793bc8246e57c7c1/Tyranny_SFW_400.jpg" data-mid="11876056" border="0"  src="https://freight.cargo.site/w/400/i/b629dbf7b7a1dd94d7b49de556f7dba1780b30e14962d964793bc8246e57c7c1/Tyranny_SFW_400.jpg" /&#62;















	













05 LA+ IDENTITY
Poster design by Allison Koll










	







04 LA+ SIMULATION
Poster design by Elise McCurley








	









03 LA+ TYRANNY
Poster design by Chieh Huang








	









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&#38;nbsp;
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02 LA+ PLEASURE
Poster design by Kate Rodgers








	

01 LA+ WILD
Poster design by Michael Shafir 
(Images courtesy Tom Hammond + Marcus Sümnic)






	
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		<title>LA+ EXOTIQUE</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE</link>

		<pubDate>Mon, 10 Apr 2023 15:39:58 +0000</pubDate>

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The LA+ EXOTIQUE design ideas
competition asks entrants to design the forecourt of the Museum of Natural
History in Paris. The museum was founded in 1793 during the French Revolution,
though the site had been used as a royal garden of medicinal plants since 1635.
The site is located on the left bank of the River Seine and sits within the Jardin des Plantes, which
are 28-hectare grounds that include exterior
gardens and a zoo (Ménagerie), with five galleries&#38;nbsp;in the museum precinct: Gallery of Evolution, Gallery of Mineralogy and
Geology, Gallery of Botany, Gallery of Paleontology and Comparative Anatomy,
and Large Greenhouses (Grandes Serres). All of these could be considered
inspiration for your design. The Museum is not just a collection of fossils, it
is an active research
institution studying the evolution of life on this planet, and its
occupants, both human and nonhuman.




Obviously, this location
provides rich thematic connections to questions of colonialism, taxonomy,
endemism, and exoticism. The degree to which your design relates to these
themes and the museum itself is at your discretion. Whether (and, if so, how)
the space is curated by the museum, or whether it functions autonomously as a
themed area within the broader context of the&#38;nbsp; Jardins des Plantes or
some combination thereof, is also at your discretion. Similarly, you will have
to decide upon the degree to which your design might include botanical
material, and how it relates to garden history more broadly. (Please note that
the Museum and the Jardin des Plantes are not formally associated with this
competition; however, for the hypothetical purposes of this competition,
entrants can assume that both institutions are willing partners.) 
In the tradition of past LA+ competitions entrants are encouraged to challenge
and extend the competition’s conceptual terms of reference and the way in which
ideas are represented. This openness is not, however, to be confused with
conceptual and spatial vagary: designs are expected to be legible and resolved
both conceptually and in terms of their spatial and material relationship to
the site. The drawings, images, and accompanying written statement must be
legible and accurate. While the competition emphasizes conceptual richness over
buildability, it is important to note that designs will be judged as real
proposals and therefore their degree of suitability for this specific location
will be considered. We hasten to add that Paris has a fine history of building
projects that challenge conservative conceptions of what may or may not be
considered “suitable.” While budget is not a consideration the form, function,
and materiality of entries will be of interest to the jury. 
Entry requires three sheets of images (which should conform to the competition template) and a 350-word
supporting text explaining the design concept. In addition, entrants are asked
to name their design and provide a 1–2 sentence abstract or “pitch” describing
the proposal.



SUGGESTED READINGS

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Ursula
Heise, Imagining Extinction (University of Chicago Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Irus
Braverman, Wild Life: The Institution of Nature (Stanford University
Press, 2015).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Elizabeth
Kolbert, The Sixth Extinction (Henry Holt &#38;amp; Co., 2014).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Emma Marris, The
Rambunctious Garden (Bloomsbury, 2013).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Patrick
Mauriès, Cabinets of Curiosities (Thames &#38;amp; Hudson, 2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Andrea
Wulf, The Invention of Nature: The Adventures of Alexander von Humboldt, the
Lost Hero of Science (John Murray, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Alice
Proctor, The Whole Picture: The colonial story of the art in our museums...
and why we need to talk about it (Cassell, 2020).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Daisy
Dixon, “Review: ‘The Whole Picture: The colonial story of the art in our
museums...and why we need to talk about it’” British Journal of Aesthetics
61, no. 3 (2021).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Louise
Wickham, Gardens in History: A Political Perspective. ( Windgather
Press, 2012).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
William
Taylor, (1998) “The
cultivation of reason: functionalism and the management of nature”, Studies
in the History of Gardens &#38;amp; Designed Landscapes 18, no. 2 (1998),
130–44.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Fred
Pearce, The New Wild (Beacon Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Richard
Weller, “Animals” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Sonja
Dümpelmann, “Plants” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Christopher
Marcinkoski, “Public” in Richard Weller &#38;amp; Tatum Hands (eds), The
Landscape Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Oshinsky,
Sara J. “Exoticism
in the Decorative Arts,” in Heilbrunn Timeline of Art History. (The
Metropolitan Museum of Art, 2004). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
“Exoticism,” The Art
and Popular Culture Encyclopedia.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
David
Carrier, “How Exotic can
Exotic Art Be?” in A World Art History and its Objects (Penn State
University Press, 2008).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Charles
Forsdick, “Defining
the Exotic: Exoticism as an Approach to Radical Diversity” in Victor
Segalen and the Aesthetics of Diversity: Journeys Between Cultures (Oxford
University Press, 2000). &#38;nbsp;  

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Zaheer
Baber, “The Plants of Empire: Botanic Gardens, Colonial Power and Botanical
Knowledge,” Journal of Contemporary Asia 46, no. 4 (2016). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Anna-Katharina
Laboissière, “Collect, Save, Adapt: Making and Unmaking Ex Situ Worlds,” Cultural Studies Review 25, no. 1 (2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Donald
Rakow &#38;amp; Sharon Less, “Western Botanical Gardens: History and Evolution,” Horticultural Reviews 43 (2015), ch. 5.


Got suggestions for other readings? Let us know.














*COMPETITION NOW CLOSED*


ENTRY PLATFORM OPENS

June 20, 2023

SUBMISSION DEADLINE
















October 30, 2023 at 11.59pm (US Eastern Time) 

WINNERS ANNOUNCEDDecember 15, 2023WINNERS + SELECTED ENTRIES PUBLISHED
















The LA+ EXOTIQUE issue will be published in Fall 2024.
AWARDS
















Total prize pool USD $10,000
&#60;img width="2511" height="1312" width_o="2511" height_o="1312" data-src="https://freight.cargo.site/t/original/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" data-mid="174923481" border="0"  src="https://freight.cargo.site/w/1000/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" /&#62;
SITE: Forecourt of the Museum national d’histoire naturelle in the Jardin des Plantes, Paris. Image: (c) Google Earth.&#38;nbsp;*Click here for more site views and to download the competition template.

4 WINNERSUSD $2,500 each, a certificate, and feature publication in LA+ EXOTIQUE

10 HONORABLE MENTIONS
Certificate, and feature publication in LA+ EXOTIQUE

1 EDITOR’S CHOICE AWARD
LA+ Journal’s Editor in Chief will choose one notable but unawarded entry to receive publication in the LA+ EXOTIQUE Salon
Des Refusés.



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		<title>LA+ EXOTIQUE About</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-About</link>

		<pubDate>Fri, 15 Dec 2023 01:48:02 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

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The LA+ EXOTIQUE design ideas
competition asks entrants to design the forecourt of the Museum of Natural
History in Paris. The museum was founded in 1793 during the French Revolution,
though the site had been used as a royal garden of medicinal plants since 1635.
The site is located on the left bank of the River Seine and sits within the Jardin des Plantes, which
are 28-hectare grounds that include exterior
gardens and a zoo (Ménagerie), with five galleries&#38;nbsp;in the museum precinct: Gallery of Evolution, Gallery of Mineralogy and
Geology, Gallery of Botany, Gallery of Paleontology and Comparative Anatomy,
and Large Greenhouses (Grandes Serres). All of these could be considered
inspiration for your design. The Museum is not just a collection of fossils, it
is an active research
institution studying the evolution of life on this planet, and its
occupants, both human and nonhuman.




Obviously, this location
provides rich thematic connections to questions of colonialism, taxonomy,
endemism, and exoticism. The degree to which your design relates to these
themes and the museum itself is at your discretion. Whether (and, if so, how)
the space is curated by the museum, or whether it functions autonomously as a
themed area within the broader context of the&#38;nbsp; Jardins des Plantes or
some combination thereof, is also at your discretion. Similarly, you will have
to decide upon the degree to which your design might include botanical
material, and how it relates to garden history more broadly. (Please note that
the Museum and the Jardin des Plantes are not formally associated with this
competition; however, for the hypothetical purposes of this competition,
entrants can assume that both institutions are willing partners.) 
In the tradition of past LA+ competitions entrants are encouraged to challenge
and extend the competition’s conceptual terms of reference and the way in which
ideas are represented. This openness is not, however, to be confused with
conceptual and spatial vagary: designs are expected to be legible and resolved
both conceptually and in terms of their spatial and material relationship to
the site. The drawings, images, and accompanying written statement must be
legible and accurate. While the competition emphasizes conceptual richness over
buildability, it is important to note that designs will be judged as real
proposals and therefore their degree of suitability for this specific location
will be considered. We hasten to add that Paris has a fine history of building
projects that challenge conservative conceptions of what may or may not be
considered “suitable.” While budget is not a consideration the form, function,
and materiality of entries will be of interest to the jury. 
Entry requires three sheets of images (which should conform to the competition template) and a 350-word
supporting text explaining the design concept. In addition, entrants are asked
to name their design and provide a 1–2 sentence abstract or “pitch” describing
the proposal.



SUGGESTED READINGS

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Ursula
Heise, Imagining Extinction (University of Chicago Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Irus
Braverman, Wild Life: The Institution of Nature (Stanford University
Press, 2015).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Elizabeth
Kolbert, The Sixth Extinction (Henry Holt &#38;amp; Co., 2014).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Emma Marris, The
Rambunctious Garden (Bloomsbury, 2013).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Patrick
Mauriès, Cabinets of Curiosities (Thames &#38;amp; Hudson, 2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Andrea
Wulf, The Invention of Nature: The Adventures of Alexander von Humboldt, the
Lost Hero of Science (John Murray, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Alice
Proctor, The Whole Picture: The colonial story of the art in our museums...
and why we need to talk about it (Cassell, 2020).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Daisy
Dixon, “Review: ‘The Whole Picture: The colonial story of the art in our
museums...and why we need to talk about it’” British Journal of Aesthetics
61, no. 3 (2021).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Louise
Wickham, Gardens in History: A Political Perspective. ( Windgather
Press, 2012).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
William
Taylor, (1998) “The
cultivation of reason: functionalism and the management of nature”, Studies
in the History of Gardens &#38;amp; Designed Landscapes 18, no. 2 (1998),
130–44.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Fred
Pearce, The New Wild (Beacon Press, 2016).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Richard
Weller, “Animals” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Sonja
Dümpelmann, “Plants” in Richard Weller &#38;amp; Tatum Hands (eds), The Landscape
Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Christopher
Marcinkoski, “Public” in Richard Weller &#38;amp; Tatum Hands (eds), The
Landscape Project (AR+D Publishing, 2023).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Oshinsky,
Sara J. “Exoticism
in the Decorative Arts,” in Heilbrunn Timeline of Art History. (The
Metropolitan Museum of Art, 2004). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
“Exoticism,” The Art
and Popular Culture Encyclopedia.

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
David
Carrier, “How Exotic can
Exotic Art Be?” in A World Art History and its Objects (Penn State
University Press, 2008).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Charles
Forsdick, “Defining
the Exotic: Exoticism as an Approach to Radical Diversity” in Victor
Segalen and the Aesthetics of Diversity: Journeys Between Cultures (Oxford
University Press, 2000). &#38;nbsp;  

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Zaheer
Baber, “The Plants of Empire: Botanic Gardens, Colonial Power and Botanical
Knowledge,” Journal of Contemporary Asia 46, no. 4 (2016). 

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Anna-Katharina
Laboissière, “Collect, Save, Adapt: Making and Unmaking Ex Situ Worlds,” Cultural Studies Review 25, no. 1 (2019).

·&#38;nbsp; &#38;nbsp;&#38;nbsp;&#38;nbsp;&#38;nbsp; 
Donald
Rakow &#38;amp; Sharon Less, “Western Botanical Gardens: History and Evolution,” Horticultural Reviews 43 (2015), ch. 5.


Got suggestions for other readings? Let us know.














*COMPETITION NOW CLOSED*


ENTRY PLATFORM OPENS

June 20, 2023

SUBMISSION DEADLINE
















October 30, 2023 at 11.59pm (US Eastern Time) 

WINNERS ANNOUNCEDDecember 15, 2023WINNERS + SELECTED ENTRIES PUBLISHED
















The LA+ EXOTIQUE issue will be published in Fall 2024.
AWARDS
















Total prize pool USD $10,000
&#60;img width="2511" height="1312" width_o="2511" height_o="1312" data-src="https://freight.cargo.site/t/original/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" data-mid="199475857" border="0"  src="https://freight.cargo.site/w/1000/i/16c2abfbee2d08103f503050b70fb1d46b76843399759cd1e87ba9e2ce9d786a/birds-eye.jpg" /&#62;
SITE: Forecourt of the Museum national d’histoire naturelle in the Jardin des Plantes, Paris. Image: (c) Google Earth.&#38;nbsp;*Click here for more site views and to download the competition template.

4 WINNERSUSD $2,500 each, a certificate, and feature publication in LA+ EXOTIQUE

10 HONORABLE MENTIONS
Certificate, and feature publication in LA+ EXOTIQUE

1 EDITOR’S CHOICE AWARD
LA+ Journal’s Editor in Chief will choose one notable but unawarded entry to receive publication in the LA+ EXOTIQUE Salon
Des Refusés.



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&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/11fc75eb4328a6aff7b9c444f489c8fad41430f9cc5e9426131bb1a8a97371d8/exotique_buttons_9.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;" data-scale="100"&#62;







&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/0e745b5f71c3686847a388c92c130b74e5e90dbcd551b36d73dc74d584fd443b/Post117.jpg" data-mid="199473185" border="0"  src="https://freight.cargo.site/w/1000/i/0e745b5f71c3686847a388c92c130b74e5e90dbcd551b36d73dc74d584fd443b/Post117.jpg" /&#62;Julia Czerniak is Professor of Architecture at Syracuse University where she teaches studios and seminars on architectural design and landscape theory and criticism. She served as Associate Dean from 2014-2022. She is educated both as an architect and a landscape architect and her research and practice draw on the intersection of these disciplines. Her most recent design research explores the relationship of design to biodiversity, advancing landscape as a protagonist in remaking and envisioning the complex relationships among animal species. Czerniak’s work as a designer is complemented by her work as an educator and writer. Her publications include the books: Case: Downsview Park Toronto (1999); Large Parks (2007); and Formerly Urban: Projecting Rust Belt Futures (2013).&#38;nbsp;







	&#60;img width="1500" height="1500" width_o="1500" height_o="1500" data-src="https://freight.cargo.site/t/original/i/3fb03b373506cc60c19a87d66c6b8da79dd15f7450384b8a60fdb33ec5afe0af/Post116.jpg" data-mid="199473192" border="0"  src="https://freight.cargo.site/w/1000/i/3fb03b373506cc60c19a87d66c6b8da79dd15f7450384b8a60fdb33ec5afe0af/Post116.jpg" /&#62;
	

Sonja Dümpelmann co-directs the Rachel Carson Center at Ludwig-Maximilians-Universität Munich where she is professor and chair in environmental humanities. She was previously a professor in the Department of Landscape Architecture, University of Pennsylvania Stuart Weitzman School of Design. Dümpelmann is a historian of urban landscapes and environments in the 19th and 20th centuries. Her most recent monographs are Landscapes for Sport: Histories of Physical Exercise, Sport, and Health (ed., Washington DC: Dumbarton Oaks Research Library and Collection, 2022), and the award-winning Seeing Trees: A History of Street Trees in New York City and Berlin (Yale University Press, 2019).

Photo by Eric Sucar.




	

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Catherine Mosbach is a landscape architect and founder of Paris-based design firm mosbach paysagistes and the magazine Pages Paysages. Catherine’s key projects include the Solutre Archaeological Park in Saone-et-Loire, Walk Sluice of Saint-Denis, the Botanical Garden of Bordeaux, the other side in Quebec City, Shan Shui at the International Horticultural Exposition in Xian, Lost in Transition Taehwa River Garden Show in Ulsan. She was the recipient of the Equerre D’argent award with Kazuyo Sejima and Ryue Nishizawa for the Louvre Lens Museum Park and was honored in the Iconic Concept Award category by the German Design Council and Platine Award by INT.design 15th Montreal for Phase Shifts Park in Taichung. The team was honored with Firm of the Year 2021 in Landscape and Urban Design by Architecture Master Prize Los Angeles.&#38;nbsp;

Catherine was named a Knight of the Legion of Honour by French President

 Francois Hollande in 2016. Her work, In the net of desires was featured in XXI Triennale de Milano 2017. Catherine is currently visiting professor at Harvard GSD.








	



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Signe Nielsen is principal of MNLA (Mathews Nielsen Landscape Architects) in New York and has been practicing as a landscape architect and urban designer since 1978. Her body of work has renewed the environmental integrity and transformed the quality of spaces for those who live, work, and play in the urban realm. Signe believes in using design as a vehicle for advocacy to promote discourse on social equity and community resilience and has served on multiple panels to effect positive change. A Fellow of the ASLA, she is the recipient of over 100 national and local design awards for public open space projects and is published extensively in national and international publications. Signe is a Professor of Urban Design and Landscape Architecture at Pratt Institute and former President for the Public Design Commission of the City of New York. Born in Paris, Signe holds degrees in Urban Planning from Smith College; in Landscape Architecture from City College of New York; and in Construction Management from Pratt Institute. MNLA’s recent award-winning landscape architecture projects in New York City include Little Island, Waterline Square Park, Governors Island, the Rockefeller University Campus, the Whitney Museum, the Edible Academy at the New York Botanical Garden, and the landscape of the iconic TWA Terminal Hotel at JFK.






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	Marcel Wilson is founder and design director of Bionic based in San Francisco, California. He is an agile and inventive designer, and is distinguished as a creative force in complex landscape projects through his broad expertise in landscape technology which ranges from large-scale infrastructure systems to micro-scale material applications. His experience includes waterfronts, infrastructure, and coastal adaptation, high-rise construction, landscapes on structure, and post-industrial sites. Under his leadership Bionic has risen to the cutting edge of the profession through significant commissions for LinkedIn, Adobe, and Google. At the city scale he is leading the design of large parks, waterfronts, and new urban districts in multiple West Coast cities. The firm has won multiple international design competitions including Fort Mason Center Public Realm, the Adobe Creek Bridge in Palo Alto, and the Resilient By Design Bay Area Challenge. Marcel graduated with distinction from the Harvard Graduate School of Design where he was awarded the prestigious Weidenman Prize for Design Excellence.



	

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	&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/85dd0a0b62052b711c77b5d6b3ebe701c4302ace3467f183c717a4ecbc3d8719/LA-EXOTIQUE_SITE_IMAGE-06.jpg" data-mid="199475684" border="0"  src="https://freight.cargo.site/w/565/i/85dd0a0b62052b711c77b5d6b3ebe701c4302ace3467f183c717a4ecbc3d8719/LA-EXOTIQUE_SITE_IMAGE-06.jpg" /&#62;
	


&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/3bb3e6503ab863c7393f93af70a8f4f168a1df9596849c5bba513f50234d3b8a/LA-EXOTIQUE_SITE_IMAGE-08.jpg" data-mid="199475685" border="0"  src="https://freight.cargo.site/w/565/i/3bb3e6503ab863c7393f93af70a8f4f168a1df9596849c5bba513f50234d3b8a/LA-EXOTIQUE_SITE_IMAGE-08.jpg" /&#62;



	&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/ffe53d5b50ef5a39ee4a5826354e7fb0d81d9be9f984d8daec64c63372cc395b/LA-EXOTIQUE_SITE_IMAGE-09.jpg" data-mid="199475686" border="0"  src="https://freight.cargo.site/w/565/i/ffe53d5b50ef5a39ee4a5826354e7fb0d81d9be9f984d8daec64c63372cc395b/LA-EXOTIQUE_SITE_IMAGE-09.jpg" /&#62;

	

&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/8aca94d193936a8e2ee8ec97b19e7ab2035aa8c22a0264ee235763b039419197/LA-EXOTIQUE_SITE_IMAGE-10.jpg" data-mid="199475687" border="0"  src="https://freight.cargo.site/w/565/i/8aca94d193936a8e2ee8ec97b19e7ab2035aa8c22a0264ee235763b039419197/LA-EXOTIQUE_SITE_IMAGE-10.jpg" /&#62;
	
&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/c9d240278381777a9083ec57077d43d90c3d1de4499c6c81ca83e99225d082ad/LA-EXOTIQUE_SITE_IMAGE-11.jpg" data-mid="199475695" border="0"  src="https://freight.cargo.site/w/565/i/c9d240278381777a9083ec57077d43d90c3d1de4499c6c81ca83e99225d082ad/LA-EXOTIQUE_SITE_IMAGE-11.jpg" /&#62;



	&#60;img width="565" height="643" width_o="565" height_o="643" data-src="https://freight.cargo.site/t/original/i/c743cbb68c91910b09b577383b699953c3c56607c6e7cfb464361be984ac8787/LA-EXOTIQUE_SITE_IMAGE-12.jpg" data-mid="199475696" border="0"  src="https://freight.cargo.site/w/565/i/c743cbb68c91910b09b577383b699953c3c56607c6e7cfb464361be984ac8787/LA-EXOTIQUE_SITE_IMAGE-12.jpg" /&#62;

	
	

Click on a circle to open the full image in a new window. 
Download site plan, images, and competition template HERE.&#38;nbsp;


	

</description>
		
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	<item>
		<title>LA+ EXOTIQUE Submissions</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-Submissions</link>

		<pubDate>Fri, 15 Dec 2023 01:43:15 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/LA-EXOTIQUE-Submissions</guid>

		<description>&#60;img width="2498" height="420" width_o="2498" height_o="420" data-src="https://freight.cargo.site/t/original/i/ea979cd96cc919a99ce7c3498659124049f947ac57c03729a23e539a9f256eb1/LA--EXOTIQUE-FONT.jpg" data-mid="199476071" border="0"  src="https://freight.cargo.site/w/1000/i/ea979cd96cc919a99ce7c3498659124049f947ac57c03729a23e539a9f256eb1/LA--EXOTIQUE-FONT.jpg" /&#62;




	




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&#60;img width="576" height="144" width_o="576" height_o="144" data-src="https://freight.cargo.site/t/original/i/6980ef42a66c4da2a9a8c9ddf4242f239a611b32ecbc8d1a307a13c46bed41ee/exotique_buttons_6.jpg" data-mid="199476070" border="0"  src="https://freight.cargo.site/w/576/i/6980ef42a66c4da2a9a8c9ddf4242f239a611b32ecbc8d1a307a13c46bed41ee/exotique_buttons_6.jpg" /&#62;




	





&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/7a0dad413cdad7e479e78c19128c9cde9fd08c8b6696c09e83b2d5842ae0e811/exotique_buttons_2.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/25612ebb8f6942bc59fc268ebdc4cedfea970f635432c4fd2e94495978923ae1/exotique_buttons_1.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/7a0dad413cdad7e479e78c19128c9cde9fd08c8b6696c09e83b2d5842ae0e811/exotique_buttons_2.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;"&#62;






	

&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/11fc75eb4328a6aff7b9c444f489c8fad41430f9cc5e9426131bb1a8a97371d8/exotique_buttons_9.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/0a260d8edd57272541a81a6e6371179c86f68ed8fe9fbe0dba74dd979713c9ae/exotique_buttons_10.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;" data-scale="100"&#62;







	Submissions must conform to the page dimensions and instructions provided in the LA+ EXOTIQUE competition template, which is designed to assist journal layout for entries selected for publication. The competition template is available for download in .pdf, .indd, and .idml formats HERE. &#38;nbsp;DO NOT include the supporting statement on the image sheets – this will be inputted separately into the competition platform.


	IMAGE REQUIREMENTS



SHEET 1 (8.75 x 10.5 inches) Concept Image or view [portrait orientation].



SHEET 2 (17.5 x 10.5 inches) A scaled plan and section [landscape orientation].



SHEET 3 (17.5 x 10.5 inches) 
Supporting imagery,
the content and layout of which is at entrants’ discretion [landscape orientation]. 





*DOWNLOAD Competition Template and site images here.&#38;nbsp; * See Q+A for important notes about template and arrangement of submission elements.&#38;nbsp;

	TEXT REQUIREMENTS

These text requirements are to be inputted into the competition platform at the time of submission.






















Name of your design [e.g., The Garden of Strange Objects].
Maximum 350-word text explaining your design.
1–2 sentence abstract or “pitch” concisely describing your proposal [e.g., The Garden of Strange Objects is a grid of 1.5-meter-tall concrete blocks evenly distributed across the site serving as pedestals to support ephemeral artworks by artists from former French colonies.]&#38;nbsp;
*IMPORTANT: Do not put the supporting statement on the design image sheets. You will be asked to input the text requirements online during the submission process.



HOW TO ENTER

1. READ THE CONDITIONS OF ENTRY


2. DOWNLOAD THE COMPETITION TEMPLATE AND SITE IMAGES

3. SUBMIT YOUR ENTRY
NOTE: 
















Submissions must be made
through the competition platform at https://laplus.slideroom.com/. You'll be asked
to sign up for a free SlideRoom account to get started. You can begin your submission when you choose and complete it at
any time before midnight on October 30, 2023. You'll have a chance to review your materials
before final submission and payment of the competition entry fee is the last step
before you submit. You'll receive official confirmation of your entry and
receipt for payment upon submission. At the time of submitting your entry,
you’ll be asked to agree to the conditions of entry. All submissions will receive a unique code to redeem a free digital issue of LA+ CREATURE. Good luck!






Submission deadline: October 30, 2023 at 11.59pm (US Eastern time). 




	

GOT QUESTIONS? NEED ANSWERS? CLICK HERE TO GO TO Q+A



	



	




	</description>
		
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	<item>
		<title>LA+ EXOTIQUE Conditions</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-Conditions</link>

		<pubDate>Fri, 15 Dec 2023 01:43:24 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/LA-EXOTIQUE-Conditions</guid>

		<description>&#60;img width="2498" height="420" width_o="2498" height_o="420" data-src="https://freight.cargo.site/t/original/i/ea979cd96cc919a99ce7c3498659124049f947ac57c03729a23e539a9f256eb1/LA--EXOTIQUE-FONT.jpg" data-mid="199476349" border="0"  src="https://freight.cargo.site/w/1000/i/ea979cd96cc919a99ce7c3498659124049f947ac57c03729a23e539a9f256eb1/LA--EXOTIQUE-FONT.jpg" /&#62;




	




&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/5eef1bfa940141510d66875d0149c534ab655e8e9dd00cd131c385fe39f3c679/LA-EXOTIQUE_buttons_.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/2bd3990bbd11bcf252472f66749858e3fd661e86a12d19498a6512a8af54b27b/LA-EXOTIQUE_buttons_-results.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/5eef1bfa940141510d66875d0149c534ab655e8e9dd00cd131c385fe39f3c679/LA-EXOTIQUE_buttons_.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;"&#62;




	
    



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&#60;img width="100%" height="25%" src="https://freight.cargo.site/t/original/i/7a0dad413cdad7e479e78c19128c9cde9fd08c8b6696c09e83b2d5842ae0e811/exotique_buttons_2.jpg" onmouseover="this.src='https://freight.cargo.site/t/original/i/25612ebb8f6942bc59fc268ebdc4cedfea970f635432c4fd2e94495978923ae1/exotique_buttons_1.jpg'" onmouseout="this.src='https://freight.cargo.site/t/original/i/7a0dad413cdad7e479e78c19128c9cde9fd08c8b6696c09e83b2d5842ae0e811/exotique_buttons_2.jpg'" border="0" alt="" style="width: 93.1797px; height: 23.2949px;"&#62;






	

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The specific conditions below and the entire competition website constitute the Conditions of Entry.








ELIGIBILITY + ANONYMITY

LA+ EXOTIQUE is an international design ideas competition open to students and professionals of any discipline. 
There are no professional qualification requirements for entry.
Entries may be made by individuals and teams of up to three (3) people. Three is the maximum number of members permitted in a team.
Employees of LA+ Journal or ORO Editions, LA+ EXOTIQUE team members, jurors, and their spouses/partners are not eligible to enter.
Faculty, students, and employees from jurors’ organizations are eligible to enter, subject to the below conditions of anonymity and juror recusal.&#38;nbsp;
Entries will be judged anonymously. There must be no identifying information (that is, information that identifies individuals, organizations, schools, groups, or firms associated with the entry) on the images, in the image file names, or in the accompanying statement or text. Non-conforming entries will be disqualified.
Jurors are required immediately to advise the competition organizer and recuse themselves from voting on a particular submission in the event that they believe they recognize the identity of an entrant from the submission. &#38;nbsp;
Any entrant who violates these rules and any non-conforming entries will be disqualified.


SUBMISSIONS + USE OF SUBMITTED MATERIALS



















Submissions will only be accepted from eligible
entrants who have paid the USD $50 entry fee and submitted digitally through
the competition
platform by the competition close date (midnight US
Eastern Time on October 30, 2023). 



 
Submissions must conform to page/sheet dimensions found on the LA+ EXOTIQUE&#38;nbsp;competition template and the instructions shown at registration and on this website. Non-conforming submissions will be disqualified. 
Please note that only .jpeg, .jpg, .tif, .tiff image files are accepted. Files must be under 10MB each and should have a minimum resolution of 300ppi. 
No physical/mailed submissions will be accepted. 

Submitted materials shall not be released nor exposed to the public, press, or other media (including social media) before the announcement of the winning entries.  Entrants who violate this condition will be disqualified. Process images that do not reveal the design are acceptable. Please tag @laplusjournal.
No information contained in submissions shall be deemed confidential; therefore, please do not submit any information that may be considered proprietary in nature. 

LA+ Journal and its sponsors or affiliates shall not be liable for any costs incurred by any entrant in the preparation of a submission.

By entering LA+ EXOTIQUE you warrant that your submission does not include any images or text infringing on a third-party copyright, trademark, or other intellectual property right.

By entering LA+ EXOTIQUE you grant LA+ Journal a free license to use, publish, distribute, and make derivatives of the submitted materials, in whole or in part, in connection with judging, promotion, review, publication, and exhibition of the competition and of LA+ Journal, and for archival and other purposes, in any format including print, digital, and online. 
LA+ Journal has complete discretion over how submitted materials (including images, derivatives of images, supporting texts, and fonts) are adapted or used in any publication, exhibition, or promotion. LA+ Journal may crop, alter, adapt, or reformat images, replace fonts, and edit or change text to conform with overall aesthetic, style, and with other layout and editorial considerations of any publication or exhibition, and for promotional or review purposes, without notice to the entrant.

LA+ Journal may request design files from awarded entrants for the purpose of making font changes, formatting changes, text corrections, image resizing, or other necessary changes required for publication.
GENERAL


In the case of disqualification, entrants will NOT be notified and entry fees will NOT be refunded. 

Jury processes and deliberations are private and the decisions of the jury process are final. 

An entry fee of USD $50 is payable at the time of submission. Major credit and debit cards are accepted. 

The information on this website and on the submissions platform forms part of these Conditions of Entry. You must accept the Conditions of Entry to enter the competition. 

The competition organizers reserve the right to amend this website at any time, without notice.









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	<item>
		<title>LA+ EXOTIQUE Q+A</title>
				
		<link>https://laplusjournal.com/LA-EXOTIQUE-Q-A</link>

		<pubDate>Fri, 15 Dec 2023 01:43:31 +0000</pubDate>

		<dc:creator>laplusjournal</dc:creator>

		<guid isPermaLink="true">https://laplusjournal.com/LA-EXOTIQUE-Q-A</guid>

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If you have a question not answered below or elsewhere on this website, please submit it to laplus@design.upenn.edu.&#38;nbsp;
Check back regularly for updated Q+A. 


ABOUT THE DESIGN


Q: Can my design extend beyond the site boundaries? A: Yes, but the existing buildings and historical landscape structure must be preserved.

Q: Does my design need to use the entire site? A: Not necessarily. Within the competition site boundary entrants are free to decide the footprint of their project.

Q: Can I change the grading of the site?

A: Yes.





Q: Can I change the material of the forecourt?
A: Yes.

Q: Does my design have to respect existing walkways and circulation patterns?
A: No, so long as entrances to the surrounding buildings remain accessible.

Q: Can I change the existing façade of the Museum national d’histoire naturelle and other buildings?
A: You cannot make structural changes to the existing buildings, but you may augment them with new signage, lighting, or temporary installations.

Q: Can I erase existing buildings or gardens?A: No, the buildings and historical landscape structure should be preserved in your design.

Q: Do I need to provide a plan and section?

A: Yes. A scaled plan and section is required to be included in sheet 2 of your submission.



Q: What do you mean by “concept image” on sheet 1?

A: The image that a magazine or newspaper would publish to best convey or market your concept in a single image. In other words, give us your design’s best view!

Q: Historic photos of the site show that there is a basement. Do we need to concern ourselves with any utilities that may appear on the surface or impact the location of elements on the surface?&#38;nbsp;

**NEW**




A:

No. You do not need to be concerned about the practicalities of the location of underground utilities; however, it is good to keep in mind that the competition site is over structure, and thus the depth of design elements may need to be considered.



Q:&#38;nbsp;Can we assume that the site is flat given that there is no publicly available high-resolution elevation data? *NEW*





A: &#38;nbsp;

There is no detailed topographic information; however, you can find the general slope of the site and one meter contours on the downloadable PDF. Click this link.





ENTRIES + SUBMISSIONS



Q: Who can enter LA+ EXOTIQUE?
A: The competition is open to students and professionals from any discipline and from anywhere in the world.  No professional qualifications are required to enter. 



Q: Can we submit a team entry? 

A: Yes; however, teams are strictly limited to a maximum of three (3) persons. No exceptions, so please don’t ask.



Q: Can we submit an entry on behalf of a professional office? 

A: Absolutely, but the maximum team member rule still applies. Individual team members (a maximum of 3) must be specified by name in the official entry. There’s a space to do that on the online form.



Q: What will the judges be looking for? 

A: Conceptual rigor, research, novelty, ingenuity, and imagination. You should aim to strike a balance between feasibility and idealism.



Q: Do I need to conform with the Competition Template? 

A: Yes. It’s important that submissions conform to the page dimensions provided in the LA+ EXOTIQUE Competition Template, which is designed to assist journal layout for awarded entries and other entries selected for publication. The competition template is available for download in .pdf, .indd, and .idml formats. Each image file must be under 10MB and with a minimum of 300dpi resolution — .jpeg, .jpg, .tif, .tiff image files are accepted. Do not reveal your name or other identifying information on your image files.



Q: What’s the significance of the margin lines indicated on the Competition Template?

A: The margin lines are simply included for layout reference.  Images can bleed in any direction to the edge of the page; but if you do want to use margins in your design (to leave negative space around your images), we ask that you align to the margins provided, as it helps us achieve visual conformity across the publication.&#38;nbsp;The primary layout consideration is to ensure that your entry conforms to the page dimensions shown on the template. Sheet 1 should be 8.75 x 10.5 inches (that’s the page size of LA+ Journal) and in portrait orientation, and Sheets 2 and 3 should be 17.5 x 10.5 inches (that’s a full double-page spread of LA+ Journal) and in landscape orientation 



Q: What sort of things constitute “supporting imagery” for Sheet 3? 

A: Images, design details, sections, views, supporting data, artistic evocations, photographs of models, artworks, illustrations, infographics, anything you like! 



Q: Do I have to provide 3 sheets of imagery? 

A: Yes.



Q: Can I provide more than 3 sheets of imagery? 

A: No, only 3 sheets are permitted.


Q: Do I need to give my entry a name or title?A: Yes. 


Q: How important is the supporting statement? 

A: The supporting statement is a very important part of your submission and will be judged along with your design. It should be under 350 words supporting and explaining your design. The text should be of publishable quality. Spellcheck it! DO NOT reproduce your supporting statement on the image sheets. Instead, you will be asked to input your statement online separately during the submission process. This is to enable judges to be able to read the statement easily and also for the journal to print the statement to introduce your design if it wins an award.



Q: Should the supporting statement appear on the image sheets? 

A: No. It is important to note that for layout purposes of the final journal and for ease of reading by the jury that the supporting statement DOES NOT appear on the design sheets. You will be asked to input your statement into the online platform separately during the submission process. 



Q: Can any text at all appear on the image sheets?

A: Absolutely, but keep in mind that any text has to be easily readable  at the size of the journal, as indicated by the dimensions of the Competition Template. There is a minimum size 6 font.&#38;nbsp;Please SPELLCHECK all text before submission.



Q: What file formats do you accept for image submission? 

A: .jpeg, .jpg, .tif, .tiff image files are accepted. Files must be under 10MB each and with a minimum of 300dpi resolution.



Q: Are there rules about anonymity and eligibility? 

A: Yes. See the Conditions page on this website for details. Participants who breach the conditions and non-conforming entries will be disqualified.



Q: Will you accept physical/mailed submissions? 

A: No. All submissions must be made digitally through the competition platform: https://laplus.slideroom.com. See the Submissions page on this website for more details.



Q: Is there an entry fee? 

A: Yes. Payment of the competition entry fee of US $50 is the last step before submission. You'll receive official confirmation of your entry upon submission and payment. Major credit and debit cards are accepted.



Q: How do I submit my entry? 

A: See the "How to Enter" section on the Submissions page on this website. Submissions must be made through our online platform (https://laplus.slideroom.com) between June 20 and October 30, 2023. You'll be asked to sign up to a SlideRoom account to register your details and review entry requirements. You can log in to progress and finalize your entry at any time. You'll also have a chance to review your materials before final submission and you don't need to pay the entry fee until you submit. As a bonus, you’ll receive a unique code to redeem a free digital copy of the LA+ CREATURE issue upon submission.


Q: If I entered a previous LA+ design competition, will my SlideRoom account login be the same? 

A: Yes, your login credentials with SlideRoom remain the same, although you may create a new login with a different email address if you wish and you may wish to update your contact details. Note that the team members do not have to be the same as your previous entries – you’ll get a chance to identify your new team members during the entry process.



Q: Can I enter more than once? 

A: Yes, you may make multiple entries but you must make a separate application (using a new SlideRoom account under a different email address) and pay a separate fee for each entry.





Q: 

Is it preferred for designs to be in metric or imperial? 

*NEW*



 A: 

Either one is fine as long as the units are denoted. In either case, it is best to use a bar scale.





AWARDS + PUBLICATION



Q: When will I know if I have received an award? 

A: Award-winners will be announced on December 15, 2023. Contact will be made within 12 weeks of announcement to arrange transfer of prize monies. 



Q: Will I be able to view the winning entries? 

A: Yes, winning entries and honorable mentions will be published on this website. They will also be published in LA+ EXOTIQUE (fall 2024), along with interviews with each juror about their thoughts on the competition entries, a Salon Des Refusés of select notable entries, and a feature essay on the theme. Even if you are not a winner, your entry may be selected for publication and/or exhibition. Click here to subscribe to LA+ Journal for $29.90/yr (print) OR $10/YR (digital) for 2 issues. Individual digital issues are $5.95. Our upcoming issues are on the themes BEAUTY, BOTANIC, and SENSE.



Q: What could I win? 

A: See About page for details of prize money and awards. Each team member of an awarded team will receive a certificate and a free print copy of LA+ EXOTIQUE upon publication.



Q: If I did not win an award, how will I know if my work will appear in LA+ EXOTIQUE? 

A: You'll need to buy the journal in fall 2024 to find out! Select non-winning entries may be published in whole or in part. We’ll also be revealing some of the non-winning entries selected for the LA+ EXOTIQUE Salon des Refusés on our social media accounts. You can follow us @LAPlusJournal on twitter or instagram by clicking on the icons to the left of your screen.



Q: If my work is chosen for publication, how will it appear in LA+ EXOTIQUE? 

A: The way in which entries selected for publication appear in the journal (or associated physical or online exhibition, social media, or promotion) is solely at the discretion of LA+ Journal and will be subject to considerations of overall layout and aesthetic continuity, among other things. Selected entries may be published in whole or in part. By entering you give LA+ Journal a license to use, publish, exhibit, distribute, edit, alter, and make derivatives of your submitted materials. For further information, see the Conditions of Entry. 





Join the LA+ mailing list for news and competition updates.



 



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